영화 <OK Baytong>(2003)이 보여 주는 공존의 미학
The aesthetics of coexistence in the film OK Baytong (2003)
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Betong(Baytong) is the southernmost district of Yala Province, Thailand, and located at the boundary to Malaysia. Betong is a multicultural society where Thai Buddhists and Malay Muslims coexist in peace. Nonzee Nimiburtr, one of the most famous film directors in contemporary Thailand, directed a film named after the district Betong in 2003, entitled OK Baytong. The story tells about a monk named PhraTham who should return to civil life to take care of his orphaned and half-Muslim niece, Maria, after his sister was killed in a bombing. Although Tham does not adjust himself well to a new life, he is eventually integrated into the secular Thai society. This paper aims to investigate Tham’s secularization and the relationship between Thai Buddhists and Malay Muslims in Betong through the film OK Baytong. It examines the way of coexistence presented by the film through the film posters, one of the paratexts of the film. It intends to understand the meaning of OK and Baytong implied by the title OK Baytong and to seek the way to delimitate boundaries and coexist in harmony in a multi-ethnic, multi-religious, and multicultural society.
Abstract
Betong(Baytong) is the southernmost district of Yala Province, Thailand, and located at the boundary to Malaysia. Betong is a multicultural society where Thai Buddhists and Malay Muslims coexist in peace. Nonzee Nimiburtr, one of the most famous film directors in contemporary Thailand, directed a film named after the district Betong in 2003, entitled OK Baytong. The story tells about a monk named PhraTham who should return to civil life to take care of his orphaned and half-Muslim niece, Maria, after his sister was killed in a bombing. Although Tham does not adjust himself well to a new life, he is eventually integrated into the secular Thai society. This paper aims to investigate Tham’s secularization and the relationship between Thai Buddhists and Malay Muslims in Betong through the film OK Baytong. It examines the way of coexistence presented by the film through the film posters, one of the paratexts of the film. It intends to understand the meaning of OK and Baytong implied by the title OK Baytong and to seek the way to delimitate boundaries and coexist in harmony in a multi-ethnic, multi-religious, and multicultural society.
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