백석 시의 서술 주체와 시선 주체

Abstract

This study starts from consciousness on problem that narrative characteristics shown in poetry of Baek Seok are closely linked to visual aspect and could be important point explaining poetic subject and modernity shown in poetry of Baek Seok. From this viewpoint, the study intends to disclose that connection and linkage with regard subject and narrate subject shown in poetry of Baek Seok become meaningful opportunity to achieve aesthetic modernity of poetry of Baek Seok. This study shows that basic aesthetic mechanism of poetry of Baek Seok is method to suggest visual scene and starts from construction of inner identity through landscape. Landscape constructed control of emotion includes small events and activities, through this, landscape obtains level of time dramatically. There is aesthetic uniqueness called 'narrated landscape' which obtains narrative aspect of progress of time at a time by intervening trivial event into landscape. Through this, regard subject obtains dynamics linked to narrate subject. Subject of narrate which recollects past times and tells story, provides visual spectacle into narrative memory in a way to make space and scene from the memory. In the making of scene, superior position of visual abstractness and regard subject are relieved by invention of physical sense like smell, food etc. Here, narrate subject is a subject that tells narration of memory and at the same time, is composed of 'subject to see.' Poetic subject is a subject to narrate, subject to see, and 'subject to be seen' by another staring. Outstanding point in Baek Seok is aesthetic uniqueness which achieves narrated landscape and scene of narration as regard subject and narrate subject are crossed and fused each other. Such achievement can reflect modern visual experience through experiences of the kind of modern visual media and travel by train and car etc. But more important thing is that he overcame 'regard of exhibition' that contemporary modernists pursued because he did not suggest 'modern' landscape as transcendental place but he organized poetic scene within physical sense of indigenous life. This can be a meaningful place of aesthetic modernity which leaves roll call of colonial ideology - some were assimilated with 'regard of empire' through misconception and mixture of modernity.