김억 시론의 리듬 의식 연구 -시형과 언어의 변모 양상을 중심으로
A Study on Poetic Rhythm in Kim Uk's Poetics
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This article deals with the change of Kim Uk's poetics focused on inner aspect. His poetics transfer from free verse through folk-poetry to poetry with a fixed form. The concept of rhythm and change in cognition of language function as a decisive factor. The shift from original rhythm in poet to linguistic rhythm in poem. The former is the characteristic feature of free verse, the latter is the characteristic feature of poetry with a fixed form. A return to poetry with a fixed form has a meaning to express poet's free emotion through establishing a new type of poetry. But this task results in one to one correspondence of meter and emotion, tone and tune of feeling, melody and tune of feeling, and sound and meaning. A return to meter and rhyme is a typical example. In this thought, there is the thinking to regard poetic rhythm as an external meter. The recognition of prosodic features of korean language, i.e. that korean language is lack of accent and pitch, works on a decisive motive. From this discussion, we know that his thinking about poetic form is intimately related with the understanding of poetic rhythm and language.
Abstract
This article deals with the change of Kim Uk's poetics focused on inner aspect. His poetics transfer from free verse through folk-poetry to poetry with a fixed form. The concept of rhythm and change in cognition of language function as a decisive factor. The shift from original rhythm in poet to linguistic rhythm in poem. The former is the characteristic feature of free verse, the latter is the characteristic feature of poetry with a fixed form. A return to poetry with a fixed form has a meaning to express poet's free emotion through establishing a new type of poetry. But this task results in one to one correspondence of meter and emotion, tone and tune of feeling, melody and tune of feeling, and sound and meaning. A return to meter and rhyme is a typical example. In this thought, there is the thinking to regard poetic rhythm as an external meter. The recognition of prosodic features of korean language, i.e. that korean language is lack of accent and pitch, works on a decisive motive. From this discussion, we know that his thinking about poetic form is intimately related with the understanding of poetic rhythm and language.
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