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蔡瀗의 <石門亭九曲棹歌>에 나타난 공간 인식과 그 의미

Spatial Recognition and the Meaning's Projection in Chae Heon's <Seokmunjeonggugokdoga>

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주제분류한국어와문학

초록

<Seokmunjeong-gugokdoga> is a Gasa-style Gugokga-gye Poetry, was written by Chae Heon, who was Jaejisajok lived in Moongyeong in 18th century. <Seokmunjeong-gugokdoga> has sequential organization of space and it shows the go up-stream movement from the first gok to ninth gok. In this <Seokmunjeong-gugokdoga>'s organization of space had been realized by Gugokga-gye Poetry's way of equential organization of space. This poetry has different organization of space and awareness of the scenery compare with previous generation's Gugokga-gye Poetry. In the organization of space to construct the first gok is Nongcheongdea and ninth gok is Seokmunjung emblematized Chae Heon and his teacher Gwon Sang-il connected with waterway. The first, second, third, sixth, and ninth gok has a feature of the artificial sceneries constitute central space. This artificial sceneries configurate poet's particular intention which are the meaning of reverence or bring honor to his family and so on in respective areas<Seokmunjeong-gugokdoga>'s organization of space and awareness of the scenery show orientation that poet seek stability from others base on he realize identity by value of academic line and family. Then set up his hermitage Seokmungugok on waterway pivot on Seokmunjeong is he try to sublimate real space to ideal space, and <Seokmunjeong-gugokdoga> is the Gugokga-gye poetry on his expression intention

Abstract

<Seokmunjeong-gugokdoga> is a Gasa-style Gugokga-gye Poetry, was written by Chae Heon, who was Jaejisajok lived in Moongyeong in 18th century. <Seokmunjeong-gugokdoga> has sequential organization of space and it shows the go up-stream movement from the first gok to ninth gok. In this <Seokmunjeong-gugokdoga>'s organization of space had been realized by Gugokga-gye Poetry's way of equential organization of space. This poetry has different organization of space and awareness of the scenery compare with previous generation's Gugokga-gye Poetry. In the organization of space to construct the first gok is Nongcheongdea and ninth gok is Seokmunjung emblematized Chae Heon and his teacher Gwon Sang-il connected with waterway. The first, second, third, sixth, and ninth gok has a feature of the artificial sceneries constitute central space. This artificial sceneries configurate poet's particular intention which are the meaning of reverence or bring honor to his family and so on in respective areas<Seokmunjeong-gugokdoga>'s organization of space and awareness of the scenery show orientation that poet seek stability from others base on he realize identity by value of academic line and family. Then set up his hermitage Seokmungugok on waterway pivot on Seokmunjeong is he try to sublimate real space to ideal space, and <Seokmunjeong-gugokdoga> is the Gugokga-gye poetry on his expression intention

참고문헌 (23)

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  17. 이종호, "영남선비들의 구곡경영과 최남복의 백련서사", 영남학, (18), pp.99~158 (2010), 영남문화연구원
  18. 장정수, "<황강구곡가>의 창작 배경 및 구성방식", 시조학논총, 21, pp.241~269 (2004), 한국시조학회
  19. 정흥모, "조선후기 사대부 시조의 세계인식" (2001), 월인
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  21. 崔杞秀, "曲과 景에 나타난 韓國傳統景觀構造의 解釋에 관한 연구", 박사, 도시공학, pp.1990
  22. 최은숙, "몽유가사의 ‘꿈’ 모티프 변주 양상과 <길몽가>의 의미", 한국시가연구, 31, pp.219~246 (2011), 한국시가학회
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