본문 바로가기
KERD
논문KCI 등재

以≪雨巷≫谈戴望舒诗歌之意境美

An Analysis of the Beauty of Artistic Conception of Dai Wangshu's Poetry — taking A Lane in the Rain As An Example

0

조회

0

다운로드

0

인용

0

참고문헌

키워드

주제분류중국어와문학

초록

Dai Wangshu, one of the most artistic and most penetrating poets among Chinese poets since the May 4th Patriotic Movement, is the representative figure of Chinese modernist symbolism poetry. He inherits the luster of the artistic conception of Chinese classical literature, and adopts the symbolic conception of the French symbolism, to create the modernist poetic style. His masterpiece A Lane in the Rain, based on the inheritance of Chinese classical euphemistic poetry style, creates a picturesque lyric space with symbolic images, and naturally reveals the inner world between the lines, making the readers have artistic resonance while feeling the beauty of the poetry and merging with the poet. This thesis, taking A Lane in the Rain as the research text, explores the artistic conception of Dai Wangshu's poetry. This thesis firstly explains the artistic conception and the beauty of artistic conception, and subsequently, specifically explores the beauty of artistic conception of Dai Wangshu's poetry in A Lane in the Rain from the two aspects of flowing pictures and the perfect combination of symbolic images.

Abstract

Dai Wangshu, one of the most artistic and most penetrating poets among Chinese poets since the May 4th Patriotic Movement, is the representative figure of Chinese modernist symbolism poetry. He inherits the luster of the artistic conception of Chinese classical literature, and adopts the symbolic conception of the French symbolism, to create the modernist poetic style. His masterpiece A Lane in the Rain, based on the inheritance of Chinese classical euphemistic poetry style, creates a picturesque lyric space with symbolic images, and naturally reveals the inner world between the lines, making the readers have artistic resonance while feeling the beauty of the poetry and merging with the poet. This thesis, taking A Lane in the Rain as the research text, explores the artistic conception of Dai Wangshu's poetry. This thesis firstly explains the artistic conception and the beauty of artistic conception, and subsequently, specifically explores the beauty of artistic conception of Dai Wangshu's poetry in A Lane in the Rain from the two aspects of flowing pictures and the perfect combination of symbolic images.

참고문헌 (22)

  1. 施垫存, "戴望舒译诗集·序" (1983), 湖南人民出版社
  2. 袁行霈, "中国诗歌艺术研究" (1987), 北京大学出版社
  3. 戴望舒, "望舒草" (2000), 人民文学出版社
  4. 毛翰, "诗美创造学" (2002), 西南师范大学出版社
  5. 孙绍振, "孙绍振如是解读作品" (2007), 福建教育出版社
  6. 朱立元, "美学大辞典" (2014), 上海辞书出版社
  7. 戴望舒, "纵然你有柔情,我有眼泪—戴望舒经典诗集" (2015), 南海出版公司
  8. 李元洛, "诗美学" (2016), 人民文学出版社
  9. 中国社会科学院语言研究所词典编辑室, "现代汉语词典" (2016), 商务印书馆
  10. 汪曾祺, "汪曾祺散文精选" (2017), 长江文艺出版社
  11. 戴望舒, "戴望舒集" (2018), 中国华侨出版社
  12. 孙玉石, "≪雨巷≫浅谈", 名作欣赏, (01) (1982)
  13. 王岳川, "杜甫诗歌的意境美", 江汉论坛, (12) (1983)
  14. 李秀云, "缠绵悱恻的忧郁美—≪雨巷≫的意境美探析", 吉林师范大学学报(人文社会科学版), 33(2) (2005)
  15. 南志刚, "古典意境的现代性转换—戴望舒《雨巷》解析", 语文建设, (6) (2005)
  16. 廖传文, "“诗情”—戴望舒的诗美观", 和田师范专科学校学报, (03) (2007)
  17. 连子发, "何谓意境和意象", 语文天地, (7) (2007)
  18. 王秀红, "≪雨巷≫意象的文化解读", 晋城职业技术学院学报, 2(3) (2009)
  19. 贾维忠, "中国古典诗词中的丁香意象", 齐鲁学刊, (6) (2009)
  20. 王银茂, "平行的独立世界—论≪雨巷≫教学中“油纸伞”意象分析", 贵州师范学院学报, (02) (2016)
  21. 刘欣颜, "电视画面如何再现诗歌意境—以戴望舒的≪雨巷≫为例", 西部广播电视, 12 (2016)
  22. 熊新武, "论诗之意境美", 湖北教育(教育教学), (12) (2017)

관련 논문AI추천

이 간행물의 다른 논문 (31건)