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作为方法的“时间” - 论中国现代小说的发生 -

Time as a Method——On the Emergence of Modern Chinese Fiction

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It is very meaningful for us to put the novels of late Qing Dynasty and May 4th together and examine "the occurrence of modern Chinese novels" around the "time" of the novels. Modernity is a problem of time. Thinking around "time" is a return to the problem itself, which should expand and extend the topic of "the occurrence of modern Chinese novels". The occurrence of modern Chinese novels is closely related to the narrative time and modernity time of novels. From the perspective of narrative time, whether it is from "full time" to "cross section", or from "pause" to "omission", or the psychological presentation of narrative time, all play an important role in the occurrence of modern Chinese novels, and the psychological presentation of narrative time in novels is also very important. With the emergence of psychological impression novels, the plot timeline of novels has almost completely collapsed, the structure of novels has shifted from plot time to psychological space, from the outside to the inside, and the novels have completed the modern transformation from writing stories to writing people, from the outside to the inside. From the perspective of modernity time, compared with the time-space form of novels, the changes of modernity time in novels are more lively and rapid. The growth process of human beings and the evolution process of events are put into concrete time-space and into a linear development time-space. The character changes of characters and the causal development of events all exist in the time process. Therefore, the characters in novels have real psychological and life activity tracks, which is fundamental to the promotion of the modern transformation of Chinese novels.

Abstract

It is very meaningful for us to put the novels of late Qing Dynasty and May 4th together and examine "the occurrence of modern Chinese novels" around the "time" of the novels. Modernity is a problem of time. Thinking around "time" is a return to the problem itself, which should expand and extend the topic of "the occurrence of modern Chinese novels". The occurrence of modern Chinese novels is closely related to the narrative time and modernity time of novels. From the perspective of narrative time, whether it is from "full time" to "cross section", or from "pause" to "omission", or the psychological presentation of narrative time, all play an important role in the occurrence of modern Chinese novels, and the psychological presentation of narrative time in novels is also very important. With the emergence of psychological impression novels, the plot timeline of novels has almost completely collapsed, the structure of novels has shifted from plot time to psychological space, from the outside to the inside, and the novels have completed the modern transformation from writing stories to writing people, from the outside to the inside. From the perspective of modernity time, compared with the time-space form of novels, the changes of modernity time in novels are more lively and rapid. The growth process of human beings and the evolution process of events are put into concrete time-space and into a linear development time-space. The character changes of characters and the causal development of events all exist in the time process. Therefore, the characters in novels have real psychological and life activity tracks, which is fundamental to the promotion of the modern transformation of Chinese novels.

참고문헌 (11)

  1. 王飙, "近代文学研究应当有自己的面貌", 文学遗产, (2) (1989)
  2. M·D·维林吉诺娃, "台湾·香港·海外学者论中国近代小说" (1991), 百花洲文艺出版社
  3. 刘忠, "中国文学的现代转型与时间分期", 福建论坛·人文社会科学版, (5) (2004)
  4. 米克·巴尔, "叙述学:叙事理论导论" (1995), 中国社会科学出版社
  5. 吴翔宇, "时间视域与鲁迅小说的现代转型", 十堰职业技术学院学报, (6) (2011)
  6. 西尔维娅·阿加辛斯基, "时间的摆渡者:现代与怀日" (2003), 中信出版社
  7. 乔纳森·雷班, "现代小说写作技巧——实用文艺批评集" (1984), 陕西人民出版社
  8. 苏珊·朗格, "情感与形式" (1986), 中国社会科学出版社
  9. 敬文东, "从铁屋子到天安门—关于二十世纪前半页中国文学“空间主题”的札记", 上海文学, (8) (2004)
  10. 苏贾, "后现代地理学" (2007), 商务印书馆
  11. 亨利·列斐伏尔, "空间与政治" (2008), 上海人民出版社

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