「崔灦傳」연구－17세기 傳奇小說과 國文小說과의 관계를 中心으로－
A Study on the Choi-hyeon-jeon[崔？傳]
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초록
이 논문은 [先賢遺音]에 필사된 [崔현傳]에서 17세기 愛情傳奇小說의 변화와 함께 說話, 國文小說과의 연관성을 고찰하고 아울러 우리의 古小說史에서 의의를 자리매김하고자 하는 데 목적을 두었다. [최현전]은 기본적으로 傳奇小說이라는 날줄에 설화가 촘촘히 씨줄로 얽혔으며, 전기소설로는 [崔仙傳], 국문소설로는 [비군전], [서해무릉기], 설화로는 [설씨녀]가 交織되어 있다. 따라서 우리 고소설사에서는 전기소설, [최현전], 국문소설이 결코 다른 영역이 아니라 同一한 線上에 나란히 흐르는 선율로 인식하여야 한다. 한문전기소설과 국문소설은 결코 對立的이지도 排他的이지도 않다. 漢文小說의 經驗的 土臺 위에 국문소설이 이어졌을 것임은 당연한 귀결이기 때문이다. 예리한 斷層이 존재하지만, [최현전]은 그러한 17세기 古小說史의 장르 運動을 충분히 보여주고 있는 작품이다.
Abstract
A Study on the Choi-hyeon-jeon[崔현傳] Kan, Ho-yun This treatise investigates a relation between a folktale and national script novel, along with change of affection romance of the 17th century in Choi-hyeon-jeon[崔傳] copied to “Gim, Gi-hyeon professor's Chinese novel copying work, Seon-hyeon-yu-eum[先賢遺音]”, and aims at looking for the significance in our old novel history. Choi-hyeon-jeon is basically mixed the vertical lines called romance with the horizontal lines called a folktale. In addition, Choi-seon-jeon as a romance, Bi-gun-jeon and Seo-hae-mu-reung-gi as a national script novel, and Seol-ssi-nyeo as a folktale are mixed. And such a overlapped quality is the response to the novel phenomenon of the 17th century which is popularization, citizenship acquisition of novel basically. Accordingly, in our old novel history, romance, Choi- hyeon-jeon, and national script novel are not involved in other areas but they should be recognized as a melody flowing side by side in the same line. Chinese romance and national script novel do not stand in opposition, nor are exclusive. Because it is natural conclusion that national script novel might be connected over foundation of Chinese novel. Although a sharp difference exists between them, Choi-hyeon-jeon is a work that shows enough genre movement of the old novel history in the 17th century.