일제 강점기 김조규 시의 ‘향토’와 ‘혼종성’ 연구

Abstract

The rural discourse shown up in the literary circles of 1930's tried to construct the pure space of native land unreally. This had the distinct features which hide the structural conflict and hybridity of colonial modernity causing. Although Kim Joh-Kyu's poem of the early days also revealed the features restructuring native land, he described the native land as the space of destroyed rurality. This means that his poem criticized the exploitation of colonial power. However Kim Joh-Kyu could not maintain such a poetic tendency after dispersing KAPF. Therefore Kim Joh-Kyu who lost the will of present criticism should consider the destroyed rurality as the independence loss. Because of the mental pain and severe wandering, he began to recognize himself as the other of strange space. After emigrating to Manchuria Kim Joh-Kyu realized that he is a hybridity existence being conscious of himself division. Since then, he announced the surrealism poem of subconscious fantasy. This kind of his poem was to reveal the other of his mind in the poetic space and to discover the hybridity which he mixed with the other. Kim Joh-Kyu began to realize that the other mixed with himself is just the colonial people. Hence he came out the room where he had written the surrealism poem, went to the Manchuria train station where the colonial people mixed. Kim Joh-Kyu observed the misery and poverty of itinerant masses there. And then he criticized the Japanese colonial modernity which regards the train as the control system core. He paid attention to Korean girl who worked in the coffee shop. Through this kind of situation he accused the reality destroyed doubly and he expressed the identity crisis which colonial Manchuria people had to suffer. This was to reveal the ideological feature of rural discourse and to expose the unreality and exploitation of Manchukuo ideology.