20세기 ‘국제도시’의 기억
Memories of 'International City' in the Early 20th Century- Harbin in Manchu Travel Essays by Joseon Writers
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In the early 20th century, in many Manchuria travel essays written by Joseon writers, Harbin was expected as the space in which they could experience Western culture as they have been imagined, which is the distinct characteristic comparing other Manchuria travel essays. The main object of their ‘observation' was White Russian émigré and their culture being not protected by their "nation". Joseon travelers especially depicted in detail the sexuality of White Russian émigré woman and they convey the message of Harbin's being a decadent society. However, in Harbin, Joseon travelers under the Japanese colonial period seemed to be alienated effected by international order. White Russian émigré and their culture was the scenary of imperialism and the "sorrow" of Harbin was depicted and consumed as a hedonic city culture. The "reality" of Harbin consisted of ‘collective memories’ Joseon writers which were selected partially according to their necessity and produced in modern media repeatedly.
Abstract
In the early 20th century, in many Manchuria travel essays written by Joseon writers, Harbin was expected as the space in which they could experience Western culture as they have been imagined, which is the distinct characteristic comparing other Manchuria travel essays. The main object of their ‘observation' was White Russian émigré and their culture being not protected by their "nation". Joseon travelers especially depicted in detail the sexuality of White Russian émigré woman and they convey the message of Harbin's being a decadent society. However, in Harbin, Joseon travelers under the Japanese colonial period seemed to be alienated effected by international order. White Russian émigré and their culture was the scenary of imperialism and the "sorrow" of Harbin was depicted and consumed as a hedonic city culture. The "reality" of Harbin consisted of ‘collective memories’ Joseon writers which were selected partially according to their necessity and produced in modern media repeatedly.
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