뒤늦게 도착한 ‘68혁명’－1990년대 한국문학과 ‘무라카미 하루키’, ‘밀란 쿤데라’,‘다이 호우잉’의 번역 소설－

Abstract

In Korean literary history, the 1990s is regarded as the special period. The 1990s is contrasted with ideological suppression in the 1980s that is the preceding era, and is explained as the period that is reorganized as the trait of new literature(literary feature), which is summarized as an individual, inner side and genuineness. Amidst this comparison, the 1980s is deemed as the period of literary yokes caused by the defining power of national․folk literature and rigid realism. However, the 1980s is the era that had been existed a variety of literary experiment and cultural vitality. Also, the 1980s and the 1990s had not only disconnection and confrontation but also the aspect of continuance and sustainability. There were also many cases that several characteristics, which were known to be the style in the 1990s, had been reserved within the 1980s. This writing is aimed to understand three translation novels such as Milan Kundera's 『The Unbearable Lightness of Being』, Murakami Haruki(村上春樹)'s 『Norwegian Wood』, and Dai Houying's 『Human, Ah Human!(人啊, 人！)』, which had been translated from 1988 to 1991 that had been 'transition period' of being moved to the 1990s from the 1980s, as 'disappeared mediator' that had influence upon Korean literature in the 1990s. Through analyzing the influence that these works had upon the sensitivity of new generation writers and readers in those days, the relationship that two periods have along with the complex changes in the transition period from the 1980s to the 1990s will be grasped from the viewpoint of the three-dimensional overlapping eyes in which disconnection and continuation are coincided.