토수 황술조의 예술세계 연구－1930년대 매체 비평문을 중심으로－

Abstract

Hwang Sul-jo, a Western painter in the 1930s, was active at the time and left his name in the history of art. However, research on him has been insignificant. This is because there are few works left in less than 10 years of his activity. However, Hwang Sul-jo was a painter who thought deeply about how to express Joseon’s art and form his own style in Korean paintings at that time, and must be studied to understand Korean literature and art history in the 1930s. Ater graduation from Tokyo Art School, He left works for small organizations such as the Calligraphy Association, Dongmi Association, and Mokilhoe instead of participating in the Joseon Art Exhibition, which was the mainstream of the art troupe at the time. His activities were also linked to his style, which could be seen as a way of expressing his own subject rather than the popular stream at the time. Hwang Sul-jo also wanted to reveal his art in an orientalistic expression. Even though there are many unfinished works, this paradoxically has the effect of highlighting his artistic consciousness. Hwang Sul-jo, a Western painter, but also an oriental painter, revealed oriental painting lines and brush strokes through his works. The works reflect the concerns about how to express our traditional art. There is a limit to looking at his artistic consciousness because of a lack of criticism of the remaining works and his own writings. Nevertheless, meeting his works, which served as a veteran painter of our art troupe with his own style, will be a cross-section of our literary and artistic history. We look forward to abundant research on his art consciousness in the future.