한(漢)나라 화상(畵像) 예술에서 나타나는 악무(樂舞) 형태와 심미 특징

Abstract

This paper aims to establish Han Dynasty music as the most important keyword in understanding East Asian music and arts culture and to reveal the structural form and aesthetic characteristics of Han music through the objective feed of the dance-related painting art, namely, burn stone and video warfare. The following results were obtained from the exploration of the Han Dynasty’s form of evil in the burnstone and the burn exhibition. First of all, ‘Jangsumu’ was found to consist of various dance moves that enhance the beauty of the retail curve by utilizing long sleeves. As a result, one ‘S’ shape or two ‘S’ forms were formed to discover the curvaceous beauty of the dance, such as ‘glamorous’ ‘sky’ ‘flexibility’ and ‘soft’. Jang Su-mu also had the form of contrasting natural energy sympathy based on the flexibility and flexion of the body. In other words, the combination of the light and flexible movements of the body and the naturalness of the energetic movements and the combination of compassion were found to have a natural beauty combined with the vivid energy of the dance. “Ban Gomu” is a dance that became the epitome of the dance of the Han Dynasty, and it was characterized by dynamic movements such as regular “turn” “jump”, “jump”, and “leap”. At the same time, it had beautiful and elegant figures and the freedom of the dancer’s high-quality artistic skills. On top of that, the light body movements and agile movements that traverse the space between the soban and the North were all able to capture the striking colors of harmonic beauty in harmony with the North. “Geongumu” is a dance mostly performed by male dancers, and was identified as a dynamic and lively dance with a plain and strong spirit. The characteristics of a man’s fortitude and full-fledged ambiance and unpretentious spirit were strongly revealed. As above, dances discovered in the visual arts were found to have rich artistic scenery and rich aesthetic features of Han Dynasty music.