「한중록」에 나타난 혜경궁 홍씨의 현실 인식 연구 –「읍혈록」(1802)과 「병인추록」(1806)을 중심으로

Abstract

The aim of this article is to delve into the differing epistemological viewpoints of Yeongjo and Jeongjo concerning the deaths of Sado, and Hyeokgung’s belief that Sado and the Hong clan share a common destiny. To achieve this, we focus on the third part of the Hanjoongrok. While previous analyses have highlighted Hye gyeonggung’s role as “a mother” or “a daughter,” this article places emphasis on her portrayal as a literary figure. Additionally, it observes that Hyegyeonggung’s narrative of the family crisis and its resolution bears resemblance to Korean long form fictions which center around family lineage and succession. In the main body of the text, we sequentially examine Yeongjo, Jeongjo, and Hye gyeonggung from this perspective. It is revealed that Yeongjo aimed to consolidate his authority by disregarding blood relations, whereas Jeongjo sought to relinquish his position in order to restore the obliterated blood ties. Furthermore, it becomes evident that Hyegyeonggung, though appearing to share Jeongjo’s stance, actually stood in opposition to both Yeongjo and Jeongjo. The ostensibly contradictory actions of Yeongjo and Jeongjo stem from a shared principle of rigidly separating kinship from social status, whereas Hyegyeonggung aims for a closer intertwining of the two. In conclusion, this article interprets Hyegyeonggung as a discerning figure who articulates and narrates significant conflicts and societal issues of her era. In essence, it views Hanjoongrok as a literary work that reflects a response to and defiance against the prevailing patriarchy of the late Joseon Dynasty. The act of reading and writing of women during the late Joseon Dynasty can be seen as a highly visible political and public activity within society.