향화게작법 춤사위의 동작소 구조 분석

Abstract

Hyanghwagejakbeob performance uses Gueumsori, Taejing, and Hojeok and the performer wears a long white robe, a tower-shaped cone, and holds flowers in both hands to dance. This study applied Byung Ho Jung’s analytical framework to analyze the composition and elements of Hyanghwagejakbeob Choreography. The following are the findings of this study: ① In the movements of Sabangyoshin and Sabangjoarip, the common movements include bringing the hands together, spreading the arms, crane position and switching positions, and sitting halfway. Sabangyoshin also includes bending the knee with the flowers, turning all the way, and lowering the hands together, while Sabangjoarip also includes hitting the flowers, kneeling on both knees, kneeling on one knee, turning to sit, leaning the head backward, and bowing the head. ② Among the common movements of Sabangyoshin and Sabangjoarip, spreading the arms is most often found and the rest is not found as much. Bringing the hands together and crane position and switching positions are more often found in Sabangyoshin, where as sitting halfway is a little more often found in Sabangjoarip. ③ The dance movements that are often shown or characterized are lowering the hands together, bending the knee, turning all the way, and moving the flowers (up/down, left/right) in Sabangyoshin, and hitting the flowers, bowing the head, sitting (both knees, one knee, and turning), and sitting halfway in Sabangjoarip. ④ The major elements of Sabangyoshin and Sabangjoarip are commonly dancing in place, lifting up horizontally, being heavy and calm, and lifting. Other elements that were not found as much were being uplifting and lively, lowering, scattering, gathering, walking, sitting, shaking, and turning. ⑤ In the comparison of the elements, being heavy and calm was very popular emotional elements in both movements, but being uplifting and lively was more often found in Sabangjoarip than in Sabangyoshin because hitting the flowers and turning to sit were performed quickly and dynamically. ⑥ In the elements of hands and arms, both lifting up horizontally and lifting were popular because the basic position of butterfly dance is spreading both arms for all movements and lowering both arms is relatively scarce for both movements. Scattering was slightly higher for Sabangjoarip and gathering was slightly higher for Sabangyoshin. ⑦ In the elements of legs, being in place was very popular for both movements, whereas walking was extremely scarce and running was not found at all. ⑧ In the body elements, there were more differences than similarities. Sabangyoshin relatively had more shaking and turning in place, whereas Sabangjoarip had more movements performed while seated. ⑨ The elements not found are lifting at an angle, rolling, waving, and running. However, scattering element was only found in Sabangjoarip and not in Sabangyoshin.