향화게작법과 운심게작법의 춤사위 비교 분석

Abstract

This study investigates the difference and similarity between Hyanghwage jakbeob and UnShimGye jakBeob, and examine the characteristics of them based on the fact that those are both JakBeob-dance on the praise and wish for incense and flower. Both JakBeob-dance have some different way of expressions on ShiUpGongYang. Hyanghwage jakbeob is performed by two dancers, and dancers played all around of the floor in four directions. Turning around while sitting down and standing up, it is slow movement, but large step. On the other hand, UnShimGye jakBeob is performed by one dancer, and dance played all around the floor in eight directions. Turning around while sitting down and standing up, dancer's hips completely touches the floor, and sits after turning. Due to the characteristic of Yeongsanjae, UnShimGye jakBeob has been performed more often than Hyanghwage jakbeob in the ritual ceremony, but, at present, Hyanghwage jakbeob performs more than UnShimGye jakBeob, and UnShimGye jakBeob has been passed down in the some restricted area only. Since the modern Buddhist ritual has been played frequently as a part of performance in the national event, it is expected that Hyanghwage jakbeob has became representative JakBeob-dance. But, it is important for the Buddhist ritual to be developed and modified while keeping the role as a ritual ceremony and the originalities of both rather than simple playing as an art performance purpose. This might be the way for the Buddhist ritual to take an important position in the cultural art.