판소리 문학에서 삼강행실도의 수용 양상

Abstract

Samganghaengsildo was a important book to diffuse the Samgang which was the idea for the continuance of society. But loyalty(Chung), filial piety(Hyo), chastity(Yurl) which were diffused with Samganghaengsildo need one to hurt his own body, so the reception and the practice of the knowledge were in the relation of tension. At this point, Pansori literature was worthy of showing the process of reception of such authoritative knowledge. There are many pieces of discourse which are from Samganghaengsildo in <Chunghyangjeon> and <Shimcheongjeon>. And it inform us that the knowledge was shared enough to understand the characters Chunhyang, Shimcheong in the category of Samgang. In <Chunghyangjeon> and <Shimcheongjeon>, the reception of the authoritative knowledge, such as being a Yulnyuh(chaste woman) or being a Hyonyuh (one who do the filial piety) is not one-sided. On the one hand, the heroine was born and educated to practice such sublime ethics. But on the other hand, at many part of narratives their agony were discovered, and their moral sublime was ridiculed by many characters. Such crack were not homogeneous in two works, but all of this show how the people have received the ideas of Samganghaengsildo. The aspect of reflection about the authoritative knowledge is an paradox. Because the scene in which Chunhyang and Shimcheong practice their moral obligation discover the violence hidden in the moral. So, the narrative focus not on from where their sufferings arise, but on with what they are rewarded for their sufferings. These narratives does not look squarely the truth of the sufferings, and we could call it ‘selfish ignorance’. And the selfish ignorance is understood as a management that a knowledge has been practiced in the real.