19세기 판소리계 소설 <심청전>의 여성재현 -공감(共感)과 불화(不和)의 재현양식-

Abstract

This study is an examination on the changes in 19th century <ShimChung jeon 沈淸傳>. It is analyzed based on Hur's 「Shimchung ga 沈淸歌」 and 41-leaf jeonju 全州 version 「Shimchung ga」. Variations of the novel <Shimchung jeon> had shared the musical transformational tendency of Pansori. There are apparent distinctions in terms of narrator's inclination and the style of representationcomparing to the precedent novels. It is not just from one-sided influence of music. Dramatized elements were reinforced through reconciliation the styles of novel and music. The narrator of <Shimchung jeon> is has close connection with women representations. The Hur's sentimental narrator has manly emotions. The characters and plot maximized emotional sympathy. However, the narrations have distinctions by genders, emotional representations tend to have gender dispositions. The other side, 41-leaf jeonju version's narrator functioned as a moral inspector who had distance to the representations of objects. And the representation had been dramatized by highlighting characters’ acts-lines. Since the representations of objects are separated from narrator's tone, a pathway to depict women's hopes could be created apart from narrator's will.