움직이는 전통, 변화하는 시선－밀양백중놀이의 장애 표현과 그 형상화 시선 연구－

Abstract

In this paper, I study the figuration viewpoints and disabilityrepresentation of Miryangbaekjungnori. Depending on the direction andobject of research, this paper progress two phase. First, I investigate variousaspects of disability representation, and ratiocinate a function of disabilityin performance. Subsequently I investigate existence of various viewpointsand the aspects of change. As a result of study are as follows. The characters who appear on the present Miryangbaekjungnori are notthe disabled. They are disguised as the disabled. The characters who arepeasant insult Yangban, exciting dance, change Yangban, and finally makea carnival space which bring them all together. On that occasion, thedisability function as a carnival mask of free. The disability-disguise ofcharacters which appear on the present Miryangbaekjungnori make theborderline between disability and non-disability to pass over. Therefore theviewpoint of disability which can be inferred from the presentMiryangbaekjungnori is a positive. And the viewpoint which can beinferred from the figuration of disability is a reflexive. By the way, the present Miryangbaekjungnori which have a reflexiveviewpoint do not hand down monotonously. To investigate the materials offormer days, a exclusive viewpoint, a sympathetic viewpoint, a reflexiveviewpoint are discovered. As the different viewpoints of disability coexisted,negative viewpoints of disability were gradually disappeared. The process ofchange are revealed ‘a reduction and elimination of exclusive viewpoint’, ‘akeen capture and elimination of unintentional viewpoint', ‘a domination ofreflexive viewpoint’. Miryangbaekjungnori have moved constantly to thepresent, the figuration viewpoints of disability have been changed in the process.