동래야류 현대 전승사 자료 비정

Abstract

Half a century has passed since Korean Mask Play, Dongnae Yaryu was reenacted in 1965 and designated as an Important intangible cultural property. In the meantime, It contributed to the establishment of national culture. Some of the testimonies do not fit the reality, causing serious problems in conveying the history of tradition. Therefore, the purpose of writing this thesis is to criticize and correct the errors in the record. The correct transmission history of Dongnae Yaryu is summarized as follows. In 1965, Chung Sang-bak, the writer, planned and gathered performers at the request of Busan Metropolitan City. And by practicing and directing them, he participated in the 6th National Folk Art Contest and won the highest prize, the Presidential Award. As for the principle of reenactment, as far as possible, the natives of Dongnae played happily as they remembered without interfering. The financial support from the city of Busan was used for all expenses. Dongnae Yaryu performers won the top prize at the 6th National Folk Art Contest. Subsequently, Choi Sang-soo was in charge of the designation as an Important intangible cultural property. He ended his investigation by interviewing 3-4 performers, rather than performing a performance by a native who remembers the two scene of the play, Yangban, Halmi and Younggam. And he submitted a report that recorded 4 scene of the play as he had recorded in the past, and received deliberation and had it designated as Important Intangible Cultural Property in 1967.