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Eliot’s Early Ladies Beyond Gender Binary

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Eliot’s ladies have long been a critical focus, especially since the psychoanalytical and feminist criticism prevailed in the 1980s. Many critics, heavily depending on his biographical facts, labelled Eliot a misogynist and viewed his lady characters as scapegoats of misogyny. It is true that they cannot be separated from the ladies in his real life, as Eliot himself endorsed that poetry originates from the personal experience. However, his poetry from the very beginning is an analysis of his personal experience that was put under the scrutiny of self-irony. Eliot’s ladies are thus rendered symbolic of humanity in general. They are continuous with the men characters in their role as the sufferer and the suffered at the same time. This duality of Eliot’s ladies, along with his duality as a poet, is reflected and symbolized in the interchangeability of dissected bodies between female and male. Ironically enough, they have to be fragmented―depersonalized―first in order to be reconstructed. Their eventual transcendence beyond gender binary is the common ground for the redemption of humanity.

Abstract

Eliot’s ladies have long been a critical focus, especially since the psychoanalytical and feminist criticism prevailed in the 1980s. Many critics, heavily depending on his biographical facts, labelled Eliot a misogynist and viewed his lady characters as scapegoats of misogyny. It is true that they cannot be separated from the ladies in his real life, as Eliot himself endorsed that poetry originates from the personal experience. However, his poetry from the very beginning is an analysis of his personal experience that was put under the scrutiny of self-irony. Eliot’s ladies are thus rendered symbolic of humanity in general. They are continuous with the men characters in their role as the sufferer and the suffered at the same time. This duality of Eliot’s ladies, along with his duality as a poet, is reflected and symbolized in the interchangeability of dissected bodies between female and male. Ironically enough, they have to be fragmented―depersonalized―first in order to be reconstructed. Their eventual transcendence beyond gender binary is the common ground for the redemption of humanity.

참고문헌 (16)

  1. Badenhausen, Richard, "Gender, Desire, and Sexuality in T. S. Eliot", pp.195~214, Cambridge UP
  2. Brooker, Jewel Spears, "Making Feminist History: The Literary Scholarship of Sandra M. Gilbert and Susan Gubar", pp.213~228 (1994), Garland Publishing
  3. Crawford, Robert, "The Savage and the City in the Work of T. S. Eliot" (1987), Clarendon Press
  4. Eliot, T. S., "The Complete Poems and Plays 1909-1950" (1971), Harcourt, Brace & World, Inc.
  5. Eliot, T. S., "The Letters of T. S. Eliot, Volume 1, 1898-1922" (1988), Harcourt Brace Jovanovich
  6. Eliot, T. S., "T. S. Eliot: Collected Poems, 1909-1962" (1963), Faber
  7. Gilbert, Sandra M., "Making Feminist History: The Literary Scholarship of Sandra M. Gilbert and Susan Gubar" (1994), Garland Publishing
  8. Gordon, Lyndall, "T. S. Eliot: An Imperfect Life" (1998), W. W. Norton and Company
  9. Hewett, Ian, "Is T. S. Eliot really the nation’s favourite poet?”", The Telegraph, pp.2014~ (2009)
  10. Laity, Cassandra, "Gender, Desire, and Sexuality in T. S. Eliot" (2004), Cambridge UP
  11. Moody, A. D., "Thomas Stearns Eliot: Poet" (1994), Cambridge UP
  12. Palmer, Marja, "Men and Women in T. S. Eliot’s Early Poetry" (1996), Lund UP
  13. Pinkney, Tony, "Women in the Poetry of T. S. Eliot: A Psychoanalytic Approach" (1984), Macmillan P
  14. Schuchard, Ronald, "Eliot’s Dark Angel: Intersections of Life and Art" (1999), Oxford UP
  15. Seymour-Jones, Carole, "Painted Shadow: The Life of Vivienne Eliot, First Wife of T. S. Eliot" (2001), Doubleday
  16. Weinberg, Kerry, "The Women of Eliot and Baudelaire: The Boredom, the Horror and the Glory", Modern Language Studies, 14(3), pp.31~42 (1984)

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