사극에서 보이는 조선시대 남자 편복포의 표현성 연구

Abstract

Since 2000 until the present day is the time when costume dramas has been processed to be founded and sponsored by the expansion of productions in the multi-dimensional images into three large-scale outdoor production of the active set of dramas, and is the period of digital production environment and the expansion of distribution structure of commercial café dramas began. Costume of this period, depending on the needs of a digital environment, the historical reality of space and dramatic emphasis and investment in reproduction to keep pace with the high quality of costume dramas that were outside of Korea diverse historical backgrounds, common people began to appear outside of the palace and the patrician as a variety of design increased diversity of representation required the design. In this study, we decided to classify costume dramas of male Pyeonbokpou’s representation into shape, material, color-coded for analyzing. And shape can be break down into back collar, sleeves, fog, seop fastener, a coat string changes, such as the ratio of top and bottoms were analyzed. Accordingly, history costumes can be recognized on foundation of creative costumes, and be aggressively contributed to costume design modernization. We expect to be able to produce commercial values as the cultural content even after the expansion of the broadcast TV series by the popular with the dramatic image of contributing to the retail environment