唐代 皇室墓 壁畵에 나타난 化粧
Women's make-up illustrated in the wall paintings of the imperial tombs of the T'ang period
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Illustrations of women's make-up that are found in the remains or relics of the T'ang period have are different from each other in characteristics. Particularly, the royal tomb named 'geon reung' consists of the tombs of crown prince Janghoe, crown price Euideok and princess Yeongtae. These three tombs have wall paintings inside which illustrated the court life of the T'ang dynasty in realistic and substantial ways. The paintings, kept in good state, include fine and brilliant illustrations of women. The wall paintings largely include illustrations of life customs and those of the universe, constellations and mythical animals. Court ladies appeared in the paintings are illustrated as wearing make-up without aekhwang, hwajeon, sahong and jangyeop. Their make-up appears to be non-decorative and relatively plain. Formed in 706, which belongs to the early period of the Prosperous T'ang, the three tombs suggests that cosmetic culture which was in fashion at that early time was relatively plain compared with that of the Prosperous T'ang period as a whole. And wall paintings inside the tombs appear to have illustrated figures in accordance with a funeral culture based on Confucian manners.
Abstract
Illustrations of women's make-up that are found in the remains or relics of the T'ang period have are different from each other in characteristics. Particularly, the royal tomb named 'geon reung' consists of the tombs of crown prince Janghoe, crown price Euideok and princess Yeongtae. These three tombs have wall paintings inside which illustrated the court life of the T'ang dynasty in realistic and substantial ways. The paintings, kept in good state, include fine and brilliant illustrations of women. The wall paintings largely include illustrations of life customs and those of the universe, constellations and mythical animals. Court ladies appeared in the paintings are illustrated as wearing make-up without aekhwang, hwajeon, sahong and jangyeop. Their make-up appears to be non-decorative and relatively plain. Formed in 706, which belongs to the early period of the Prosperous T'ang, the three tombs suggests that cosmetic culture which was in fashion at that early time was relatively plain compared with that of the Prosperous T'ang period as a whole. And wall paintings inside the tombs appear to have illustrated figures in accordance with a funeral culture based on Confucian manners.
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