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고신라기 여자 복식의 재현 연구

A Study on Reproduction of Female Costumes in the Silla Era

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The purpose of this study is to present the prototype of female costumes in the Silla era by theoretical research and reproduction of female costumes. In order to this, theoretical research based on literature historical records and visual materials was conducted. Because the historical data of the Silla era was insufficient, the relics of neighboring countries and the Unified Silla period were also included if necessary. Theoretical research was made on hair style, headdress,jeogori(jacket), skirt, pants for each item first, then on the combination of them. Finally an actual costume according to social status was made based on the result. Hair styles were up style hair, chignon and ponytail. Headdress for woman was Gun. There were two kinds of jeogori. one was hip length and the other reached below the knees. There were skirt with stripes of many colors, pleated skirt and double skirt (a short skirt over a long skirt). Pants were also woman’s wear. They wore only one pants or put a skirt on pants. Four combinations of items were examined ;Jeogoriㆍskirt, Jeogoriㆍdouble skirt, Jeogoriㆍpants, Jeogoriㆍpantsㆍskirt. Long jeogoriㆍskirt and jeogoriㆍdouble skirt were worn by woman of higher status than jeogoriㆍpants, jeogoriㆍpantsㆍskirt and ordinary length jeogoriㆍskirt. The higher the social status, the more decorative features was added. For example, border decoration of jeogori or double skirt. Also the higher the social status, the roomier clothes were worn. Actual clothes were made in five styles. Four styles were made of silk in purple, red and blue for noble woman. Among them, long jeogoriㆍskirt and jeogoriㆍdouble skirt were made in purple for the highest status. The other one style, ordinary length jeogoriㆍskirt, was made of hemp in neutral color for common woman. As this research introduces the prototype of female costumes in the Silla era, this research can be used as a reference for creative design and reproduction of historical dramas. Also, it will be a chance to correct the public’s distorted perception of female costumes in the Silla era.

Abstract

The purpose of this study is to present the prototype of female costumes in the Silla era by theoretical research and reproduction of female costumes. In order to this, theoretical research based on literature historical records and visual materials was conducted. Because the historical data of the Silla era was insufficient, the relics of neighboring countries and the Unified Silla period were also included if necessary. Theoretical research was made on hair style, headdress,jeogori(jacket), skirt, pants for each item first, then on the combination of them. Finally an actual costume according to social status was made based on the result. Hair styles were up style hair, chignon and ponytail. Headdress for woman was Gun. There were two kinds of jeogori. one was hip length and the other reached below the knees. There were skirt with stripes of many colors, pleated skirt and double skirt (a short skirt over a long skirt). Pants were also woman’s wear. They wore only one pants or put a skirt on pants. Four combinations of items were examined ;Jeogoriㆍskirt, Jeogoriㆍdouble skirt, Jeogoriㆍpants, Jeogoriㆍpantsㆍskirt. Long jeogoriㆍskirt and jeogoriㆍdouble skirt were worn by woman of higher status than jeogoriㆍpants, jeogoriㆍpantsㆍskirt and ordinary length jeogoriㆍskirt. The higher the social status, the more decorative features was added. For example, border decoration of jeogori or double skirt. Also the higher the social status, the roomier clothes were worn. Actual clothes were made in five styles. Four styles were made of silk in purple, red and blue for noble woman. Among them, long jeogoriㆍskirt and jeogoriㆍdouble skirt were made in purple for the highest status. The other one style, ordinary length jeogoriㆍskirt, was made of hemp in neutral color for common woman. As this research introduces the prototype of female costumes in the Silla era, this research can be used as a reference for creative design and reproduction of historical dramas. Also, it will be a chance to correct the public’s distorted perception of female costumes in the Silla era.

참고문헌 (57)

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