국내 디자이너의 해외진출 연대기별 한국적 이미지 활용 실태 연구
A Study on the Korean Image Used by Domestic Designers in Entering the Overseas Market by the Chronological Classification
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초록
The 21st century is the era of cultural competitiveness through which a new value is generated with an applied cultural design unique to the individual countries. Realizing the necessity of nation's own image establishment earnestly at this moment, this research would try to work on the following. First, this paper has a look at promotional policy for fashion industry by the government authorities. Second, the work examines the precedents studies in terms of times. Third, based on such time series, this writing sees the transitional process of traditional Korean image into modern image and interpreting connotation regarding the work pieces of domestic designers who experienced in entrance into overseas market by the chronological classification. As to the methodology, this work performed the literature examination on previous studies and the critical comments of specialists were extracted from magazines, newspapers, and fashion-related online sites for the purpose of reference. For its research scope, the advancement times into foreign countries were divided into groups according to the designers with overseas experience from the 1960s up to now or those who work out of the country presently in order to look into Korean images reflected onto their design works.
Abstract
The 21st century is the era of cultural competitiveness through which a new value is generated with an applied cultural design unique to the individual countries. Realizing the necessity of nation's own image establishment earnestly at this moment, this research would try to work on the following. First, this paper has a look at promotional policy for fashion industry by the government authorities. Second, the work examines the precedents studies in terms of times. Third, based on such time series, this writing sees the transitional process of traditional Korean image into modern image and interpreting connotation regarding the work pieces of domestic designers who experienced in entrance into overseas market by the chronological classification. As to the methodology, this work performed the literature examination on previous studies and the critical comments of specialists were extracted from magazines, newspapers, and fashion-related online sites for the purpose of reference. For its research scope, the advancement times into foreign countries were divided into groups according to the designers with overseas experience from the 1960s up to now or those who work out of the country presently in order to look into Korean images reflected onto their design works.
참고문헌 (46)
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