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조선시대 배자의 특징을 응용한 베스트 디자인 연구

A Study on the Vest Design Applying the Characteristic of Baeja in the Joseon Dynasty

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초록

This study is to comprehensively review the forms and characteristics of Baeja on Joseon dynasty. It based on the literature records and excavated costumes and propose a Baeja design suitable for the modern costume of today based on its formativeness. The study made total four pieces of vest. Baeja was firstly appeared on Koguryo wall paintings, and the musueu(no-sleeved version) of Baeja including short Baeja looked like present was established during late Joseon period. As the people are more conscious of the national identity and traditional culture. Therefore, traditional costume designs are trending toward to retro style, and that enhances popularity of Baeja. It would be meaningful in terms of contributing to the activation of traditional costume by providing people with ample opportunities to wear it in modern daily lives variously. The actual purpose of this study was to perform a modernization work for traditional costumes that could let people move into other areas freely, that is, a creative and innovative research. By this dint it expanded the applicability of Baeja which can correspond with the present, rather than dwelling in the past. Furthemore, it is significant in that the research broadened the range of application of the tradition through the grafting of tradition and modernity. This study expects for further investigation on traditional culture by developing a practical costume design

Abstract

This study is to comprehensively review the forms and characteristics of Baeja on Joseon dynasty. It based on the literature records and excavated costumes and propose a Baeja design suitable for the modern costume of today based on its formativeness. The study made total four pieces of vest. Baeja was firstly appeared on Koguryo wall paintings, and the musueu(no-sleeved version) of Baeja including short Baeja looked like present was established during late Joseon period. As the people are more conscious of the national identity and traditional culture. Therefore, traditional costume designs are trending toward to retro style, and that enhances popularity of Baeja. It would be meaningful in terms of contributing to the activation of traditional costume by providing people with ample opportunities to wear it in modern daily lives variously. The actual purpose of this study was to perform a modernization work for traditional costumes that could let people move into other areas freely, that is, a creative and innovative research. By this dint it expanded the applicability of Baeja which can correspond with the present, rather than dwelling in the past. Furthemore, it is significant in that the research broadened the range of application of the tradition through the grafting of tradition and modernity. This study expects for further investigation on traditional culture by developing a practical costume design

참고문헌 (15)

  1. 이은형, "한국 전통 배자의 복식사적 고찰과 현대화 작업", 석사, pp.2008
  2. 김은정, "현대 패션에 나타난 한국적 디자인 표현에 관한 연구", 석사, pp.2004
  3. 박두이, "배자의 양식변천에 관한 고찰", 복식, 19, pp.134~ (1992)
  4. 이경자, "우리 옷과 장신구 -한국 전통복식, 그 원형의 미학과 실제-", pp.248~ (2003), 열화당
  5. 왕신정, "혜원 신윤복의 풍속화를 응용한 현대 배자 디자인 연구", 석사, pp.2006
  6. 국립민속박물관, "한민족역사문화도감(의생활)", pp.164~ (2005), 국립민속박물관
  7. 단국대학교 석주선기념박물관, "名選(중)", pp.148~ (2006), 단국대학교 출판부
  8. 김영숙, "한국복식문화사전", pp.188~ (2004), 미술문화
  9. 임린, "역사속의 우리옷 변천사", pp.139~141 (2009), 전남대학교출판부
  10. 석주선, "衣", pp.45~ (1996), 고려서적주식회사
  11. 왕신정, "혜원 신윤복의 풍속화를 응용한 현대 배자 디자인 연구", 석사, pp.2006
  12. 김우림, "다시 태어난 우리옷 환생", pp.2006, 서울역사박물관
  13. 단국대학교 석주선기념박물관, "名選(하)", pp.162~ (2007), 단국대학교 출판부
  14. 배순화, "심수륜묘 출토복식", pp.212~ (2004), 경기도박물관
  15. 금기숙, "조선복식미술", pp.49~50 (2005), 열화당

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