중국·일본·한국의 금사 제작 기술 비교 연구

Abstract

So far, there isn't any restoration technique available to make gold thread from discontinued korean tradition. Therefore, we examined for the Korean traditional technique making gold thread to study on the features of materials, process, and tools, and others, and to compare the different techniques via document in China, Korea and Japan, as well as, research of the workshops in Nanjing(南京), China · Kyoto(京都), Japan. This is the result of the study. Looking over the materials used gold thread, manufacturing gold leaf in China, Japan, and Korea was the same. The glue to gild on the paper was used with mixture with red clay, and glue in China, lacquer in Japan, besides mixture with red and white clay and glue in Korea. Used base paper was paper, Sangpiji(桑皮紙), Jukji(竹紙) and imported paper from Singapore in China, Anpiji(雁皮紙) in Japan, Dakji in Korea. The progressing of gold thread is comprised of having base paper, gilding on the paper, shining, and cutting in order, but it is confirmed some of differ in detailed work processes and materials in each three countries. Having base paper was used with watery red color mixture in China, lacquer in Japan, and glue in Korea. Gilding on the paper had different point in part. The progressing, Shining was supposed to make flat gold thread by vertically cutting after making smooth using Mano in China, which is one of jewel, and Sulmunja in Korea and Japan, which is a sort of silk. Moreover, wrapped gold thread was made on flat gold thread reeling thread in with rotatory power. For all these bases, it is confirmed that has some difference thereby comparing the manufacture, process, and materials in China, Korea, and Japan.