본문 바로가기
KERD
논문KCI 등재

전통 사저교직포의 전승과 현대적 활용

Preservation and Application of Traditional Korean Sajeogyojikpo

0

조회

0

다운로드

6

인용

0

참고문헌

키워드

주제분류의상

초록

Sajeogyojikpo(絲苧交織布) is the Silk-ramie of union fabric woven with silk warp and ramie weft threads. As traditional Sajeogyojikpo is the plain woven fabric that is monochromatic and limited to ivory and light-yellow color, there are limitations to its modern application. Accordingly, the study aims to examine the process of weaving Korean traditional Sajeogyojikpo and manufacturing patterned fabric with hand weaving jacquard loom so that the tradition of Sajeogyojikpo can be continued in a contemporary way. Ramie fabric is easily cut, when it is dry. For this reason, weaving patterns require a hand-weaving. The fabrics were woven with 3 kinds of woven structure, 5-end satin damask, twill damask, and weaved with supplementary wefts. Pattern was used as lotus, and Floral-shaped frame has with dragon and roundel bird pattern. According to the design, holes were made on a pattern card, and threads were mounted on a weaving machine. The pattern card was installed on a cylinder to make preparations. If the warp threads are opened according to a pattern card, a shuttle is inserted to hit the reed. The application of traditional Chunpo is expected to promote the sustained use of Chunpo, in a modern way.

Abstract

Sajeogyojikpo(絲苧交織布) is the Silk-ramie of union fabric woven with silk warp and ramie weft threads. As traditional Sajeogyojikpo is the plain woven fabric that is monochromatic and limited to ivory and light-yellow color, there are limitations to its modern application. Accordingly, the study aims to examine the process of weaving Korean traditional Sajeogyojikpo and manufacturing patterned fabric with hand weaving jacquard loom so that the tradition of Sajeogyojikpo can be continued in a contemporary way. Ramie fabric is easily cut, when it is dry. For this reason, weaving patterns require a hand-weaving. The fabrics were woven with 3 kinds of woven structure, 5-end satin damask, twill damask, and weaved with supplementary wefts. Pattern was used as lotus, and Floral-shaped frame has with dragon and roundel bird pattern. According to the design, holes were made on a pattern card, and threads were mounted on a weaving machine. The pattern card was installed on a cylinder to make preparations. If the warp threads are opened according to a pattern card, a shuttle is inserted to hit the reed. The application of traditional Chunpo is expected to promote the sustained use of Chunpo, in a modern way.

참고문헌 (8)

  1. 심연옥, "한산 세모시짜기 청양 춘포짜기", pp.106~ (2011), 민속원
  2. 김병미, "전통직물 춘포에 관한 연구1: 춘포의 제작 방법과 특성을 중심으로", 한국전통생활문화학회지, 2,2(12), pp.141~151 (1999)
  3. 광해군 내외 및 상궁옷 보수정비 보고서, "법보종찰 해인사 합천군", 72~77 (2008)
  4. "世宗實錄 3卷 世宗1年 1月 18日, 帝所進金飾鞍子四面, 黃 細苧布三十匹, 白細苧布三十匹, 黑細麻布一百匹, 絲麻交織 布一十匹, 絲苧交織一十匹, 人蔘二百觔, 松子三百觔, 五味 子一百觔, 雜色馬六十匹…", ~
  5. "世宗實錄 3卷 世宗1年 8月 25日, …謹備白細苧布五十匹, 黑細麻布一百五十匹, 絲麻兼織布五匹, 絲苧兼織布五匹…", ~
  6. 심연옥, "한국직물오천년", pp.71~ (2002), 고대직물연구소
  7. 수덕사근역성보박물관, "至心歸命禮: 韓國의 佛 복장", pp.35~ (2004), 수덕사성보박물관
  8. 심연옥, "용인 영덕동 출토 금원문직금능 재현 연구", 한복문화, 18(3), pp.79~94 (2015), 한복문화학회[DOI]

관련 논문AI추천

이 간행물의 다른 논문 (12건)