조선조 외연의 <가자와 금슬>

Abstract

Among all the court banquet ceremonies in Chosun Dynasty, only Royal Baquet had the procedure called <Kaja and Keumseul>, which was performed by four singing visitors(called "Kaja"), one Keum and one Seul(both called "Keumseul"). In this thesis, I aimed to find out its song lists which were performed in this procedure and its historical development. <Kaja and Keumseul> was the performance that expressed their gratitude for a bountiful feast which was given by the King right after they had given the King a celebratory drink. Hyomyoung-seja formulated it by adding various drawings of it in Jinchan-Uigwe, but actually this procedure had been done from early Chosun Dynasty. I confirmed these facts by the books of royal ceremonies (called "Uigwe"), the books of royal ceremonial rules (called "Uiryeseo"), and the Annals of the Chosun Dynasty. Secondly, I found the song lists which were performed in the procedure from 『Ahkjang-Gasa』, 『Ahkhak-Pyeongo」, and 『the Annals of the Chosun Dynasty』. I mainly dealt with its genre, singing visitors, singing method, and differences between court and people that was emerging while these songs was handing down until late Chosun Dynasty. I confirmed these facts by the music books of Geomungo (called "Keumbo"), the lyrics books (called "Gajib"), law books and memorandums. Finally, I found that <Kaja and Keumseul> was placed in the proper sequence and had the suitable contents for Royal Baquet.