정희량 한시에 나타난 意象을 활용한내면의식 형상화 방식 고찰

Abstract

Disappearing without a trace at the age of 34, Mr. Jeong Hui-ryang’s poetry embodied a complex inner awareness forged during his exile. Through it, he comforted his inner suffering and made a firm resolution to pull himself together. In the course of doing so, he made the most of imagery to depict his inner awareness and emotional state. Mr. Jeong Hui-ryang embodied the isolation, loneliness, and frustration springing out of his heart in his poetry to depict images such as a 'closed door (戶)', a 'single wild goose', and a 'hidden dragon'. On the other hand, he adopted the attitude of a Confucian scholar and made strenuous efforts to stand firm in the face of sorrow and agony. He created a poemon spiritual beings, based on subjects like the paulownia tree, the old arborvitae, and the bamboo, to vividly reflect his inner awareness through imagery symbolizing the faithfulness, fidelity, and righteousness that he advocated. The images of these objective objects through which Mr. Jeong Hui-ryang embodied his inner awareness into poetry exerted literary appeal, evoking the effects of parable, symbolism, and lingering imagery. However, all the major imageryhe utilized had been shared and used frequently for a long period of time in the tradition of oriental poetry art. Therefore, such images do not depict noticeable themes worth mentioning. Nonetheless, all the imagery used by Mr. Jeong Hui-ryang implied an earnest literary motive and serenity. The imageryhe used had in common the important theme of a strong sense of self-awareness and high self-esteem. Mr. Jeong Hui-ryang used typical images but in the process of embodying them inhis poetry, he vividly reflected his uncompromising character, strong self-awareness, high self-esteem, and valuable pursuit for righteousness, showing his unique personality.