전통민요와 대중가요 노랫말 비교 연구 -논매는 소리와 어사용, 도시형 트로트 노랫말에 나타난말하기 방식을 중심으로-

Abstract

The purpose of this study is to compare a speaking method which was shown in the lyrics of traditional Korean folk songs, and a speaking pattern which was indicated in the lyrics of popular song. For this, the speaking methods which are shown in the lyrics, were examined targeting Nonmaeneun-sori (rice-paddy weeding song), Eosayong and Urban-type Trot in Gyeongbuk area. As for the Nonmaeneun-sori, a male speaker encourages or laments over a work with depicting or describing specific action or situation based on the On-site. On the other hand, Eosayong is expressing a sigh or a lamentation by positively utilizing both sides of the voices in a male speaker and a female speaker. On the contrary, the Urban-type Trot is being delivered with a method of speaking about the missing and lonely feelings with which everybody can sympathize from the narrator's point of view while speaking with a male narrator's voice, or with a method of reciting a monologue from the protagonist narrator's point of view. These things have the difference between a song which was transmitted by having been made voluntarily, and a song, which was made by planning, the difference between a song which performs diverse functions such as labor, and a song which is limited to playful function, the difference of being possessed by a song that is completely different between a distribution method and a consumption method, the difference between a song without the division of a singer and a listener, and a song with the distinct division of a singer and a listener, and the difference of being possessed by a song which is sung on the basis of community or specific group, and a song of pointing to universality targeting the unspecified individuals. However, it is similar in the world perceptions and emotional responses that these things contain. A speaker's response to the world, which cannot help accepting it, and to the reality which has no choice but to accept the situation, literally exposes the aspect that failed to solve the conflict. A narrator who is speaking without solving the internal conflict appeals for a situation, which cannot be accepted, or for a situation, which cannot be overcome, through emotional responses like expression or resentment, own misfortune, sigh or regret, lonesomeness. The speaking methods, which are shown through Nonmaeneun-sori(rice-paddy weeding song), Eosayong, Urban- type Trot, indicate difference, respectively. However, its hidden side can be known to be containing the similar world recognition and emotional response.