Translating Beowulf: Translators Crouched and Dangers Rampant
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Abstract
Beowulf is an ambiguous text. One area of ambiguity not obvious to the reader of the poem in Modern English is the occurrence of ambiguous pronoun referents in the Old English. In this essay, I look at six examples of ambiguity: intentional ambiguity (an analysis of the word ellengœst); blurred boundaries and monsters (the use of aglœca in l. 1269a); grammatical ambiguities and dragons (the pronoun "he" and its referent in l. 2568b); ambiguous connections and betrayal (the pronoun "he" in l. 1167); pronominal ambiguities (ll. 2490b and 2692b); and, finally, the substantivized adjective rica in l. 310b. When editors and translators make decisions about referents for pronouns and substantivized adjectives, they deny the poem's ambiguities and violate the symbolic logic of the text. The ambiguity in Beowulf creates a richer and more nuanced poem; translators need to devise a means of acknowledging these ambiguities. In this essay, I conclude that translators should consider alternating words as in the case of guest and demon, by noting the use of aglœca for both Grendel and Beowulf, by footnoting the pronouns to explain their significance, and finally by choosing neutral terms when possible (such as "the mighty one" for se rica).
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