20세기 초 잡가의 한역 양상과 그 의미 - 『每日申報』 소재 石傖 柳瑾의 新樂府를 중심으로 -

Abstract

This paper focuses on fifteen poetry of Classical Chinese translation of Japga(雜歌) by Yu-Geun(柳瑾, 1861∼1921) in the name of "Sinackbu(新樂府)" in "Maeilshinbo(每日申報)" from May, 1918. The purpose of this work is to examine the meaning of this work. Yu-Geun noted that Japga, who had been a leader in patriotic enlightenment activities and national education activities during the Japanese occupation, was depreciated among intellectuals. He also tried to localize Japga as a kind of Soackbu(小樂府). If you keep in mind that the 1910s was a time when the purchase of Japgajip(雜歌集) by Korean readers was very active, He's work is unique. Yu-Geun's works are composed of 12Gasa(12歌詞) and 12Japga, Japga based on the area, newly created songs, songs that were called at the time. Sinakbu identifies the songs that were actively voiced before the 1920s in the form of traditional Akbu, not Japgajip or phonograph record. In addition, it is worthy as the only work that suggested how the characters who acquired identity within Chinese Character Culture could accept and enjoy the entertainment culture of the time. He's work is the first attempt and the new attempt to reflect the 'enjoyment' or 'hobby' that was born in the 1910s while inheriting Soakbu's tradition. Considering the situation in which Hangul was promoted to the Korean language, in the point that it already transforms the magazine published in 'Hangul' into the traditional custom of 'Ackbu' and meets 'reader' through the medium of 'newspaper' It is the vowel that appeared 'new'.