본문 바로가기
KERD
논문KCI 등재

재건시대와 할렘 르네상스 시대 흑인지도자들에 대한 랄프 엘리슨의 시각

Ellison's Perspectives on the Reconstruction and the Harlem Renaissance Black Leaders

0

조회

0

다운로드

0

인용

0

참고문헌

키워드

주제분류기타인문학

초록

This essay aims to study Ralph Ellison’s perspectives on the Reconstruction and the Harlem Renaissance black leaders through his main characters in Invisible Man. The characters of the novel, such as the invisible man, Bledsoe, Jack, and Ras, are reminiscent of the leaders in the black society, such as Booker T. Washington, Frederick Douglass, William Lloyd Garrison, W. E. B. Du Bois, and Marcus Garvey. Washington, Douglass, Dubois, and partly Garvey are portrayed through the invisible man. When the invisible man gives his speech at the battle royal, he makes a comment about southern black people casting down their buckets where they are which is reminiscent of Washington’s speech. However, in fact, Washington is a model of Bledsoe who is the leader of a black college and maintains a level of approval from his white supporters by keeping his students in line. While working in the Brotherhood, the invisible man represents Douglass. He is often at odds with the Brotherhood as Douglass was with American Antislavery Society. He is also a representation of Du Bois, a leading black spokesperson for blacks’ rights since Douglass. Another political figure represented in invisible man is Garvey. He is a model of Rass. Rass believes that black people should be for black people only. He regards the invisible as a traitor to his people because the invisible man involves himself with an organization made up of both black and white people. Garvey is also a model of the invisible man. The invisible man, as Garvey did, speaks on the issue of black people banding together to help black people. In conclusion, Ellison provides a representation of each leader and allows readers opportunities to see the critical aspects of the leaders, such as Washington and partly Garvey, but also the respectful aspects of the leaders, such as Douglass and Du Bois.

Abstract

This essay aims to study Ralph Ellison’s perspectives on the Reconstruction and the Harlem Renaissance black leaders through his main characters in Invisible Man. The characters of the novel, such as the invisible man, Bledsoe, Jack, and Ras, are reminiscent of the leaders in the black society, such as Booker T. Washington, Frederick Douglass, William Lloyd Garrison, W. E. B. Du Bois, and Marcus Garvey. Washington, Douglass, Dubois, and partly Garvey are portrayed through the invisible man. When the invisible man gives his speech at the battle royal, he makes a comment about southern black people casting down their buckets where they are which is reminiscent of Washington’s speech. However, in fact, Washington is a model of Bledsoe who is the leader of a black college and maintains a level of approval from his white supporters by keeping his students in line. While working in the Brotherhood, the invisible man represents Douglass. He is often at odds with the Brotherhood as Douglass was with American Antislavery Society. He is also a representation of Du Bois, a leading black spokesperson for blacks’ rights since Douglass. Another political figure represented in invisible man is Garvey. He is a model of Rass. Rass believes that black people should be for black people only. He regards the invisible as a traitor to his people because the invisible man involves himself with an organization made up of both black and white people. Garvey is also a model of the invisible man. The invisible man, as Garvey did, speaks on the issue of black people banding together to help black people. In conclusion, Ellison provides a representation of each leader and allows readers opportunities to see the critical aspects of the leaders, such as Washington and partly Garvey, but also the respectful aspects of the leaders, such as Douglass and Du Bois.

참고문헌 (19)

  1. Carpio R, Glenda, "Humor in African American Literature, In A Companion to African American Literature", pp.315~331 (2010), Willy-Blackwell
  2. Du Bois, W. E. B., "Dusk of Dawn" (1992), Transactional Publishers
  3. Ellison, Ralph, "An Extravagance of Laughter, In Going to the Territory", pp.145~197 (1986), Random
  4. Ellison, Ralph, "Invisible Man" (2001), Penguin
  5. Garvey, Marcus, "Marcus Garvey Life and Lessons: A Centennial Companion to the Marcus Garvey and Universal Negro Improvement Association Paper" (1988), California UP
  6. Gordon, Michelle, "The Chicago Renaissance, In A Companion to African American Literature", pp.271~285 (2010), Willy-Blackwell
  7. Jarrett A, Gene, "The Dialect of New Negro, In A Companion to African American Literature", pp.169~184 (2010), Willy-Blackwell
  8. Leonard D, Keith, "Jazz and African American Literature, In A Companion to African American Literature", pp.286~301 (2010), Willy-Blackwell
  9. Maxwell J, William, "African American Modernism and State Surveillance, In A Companion to African American Literature", pp.254~268 (2010), Willy-Blackwell
  10. McClintock, Ann, "The Angel of Progress: Pitfalls of the Term ‘Post-colonialism’, In Colonial Discourse and Post-Colonial Theory: A Reader", pp.291~304 (1994), Columbia UP
  11. McDowell, Deborah, "Telling Slavery in “Freedom’s Time: Post-reconstruction and the Harlem Renaissance, In The Cambridge Companion to The African American Slave Narrative", pp.150~167 (2007), Cambridge UP
  12. Ross, Marlon B., "Racial Uplift and the Literature of the New Negro, In A Companion to African American Literature", pp.151~168 (2010), Willy-Blackwell
  13. Seliska, Scott, "‘Simply by Reacting?’: The Sociology of Race and Invisible Man’s Automata", American Literature, 83, pp.571~597 (2011)
  14. Smethurst, James E., "The Black Arts Movement, In A Companion to African American Literature", pp.302~314 (2010), Willy-Blackwell
  15. Stauffer, John, "Frederick Douglass’s Self-fashioning and the Making of a Representative American Man, In The Cambridge Companion to The African American Slave Narrative", pp.201~217 (2007), Cambridge UP
  16. Stephens, Michelle, "The Harlem Renaissance: The New Negro at Home and Abroad, In A Companion to African American Literature", pp.212~226 (2010), Willy-Blackwell
  17. Szalay, Michael, "Ralph Ellison’s Unfinished Second Skin", American Literary History, 23(2), pp.795~827 (2011)
  18. Thompson C, Mark, "Garvey, Du Bois, and the Work of Art, In A Companion to African American Literature", pp.243~253 (2010), Willy-Blackwell

관련 논문AI추천

이 간행물의 다른 논문 (18건)