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『보이지 않는 인간』에 나타난 주체성 고찰

A Study on Subjectivity in Invisible Man

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초록

The purpose of this paper is to analyze Ralph Ellison's Invisible Man in terms of protagonist's subjectivity after he overcomes invisibility. Ellison expresses black folklore and culture in Invisible Man. Ellison tries to criticize the reality in which Afro-Americans are stereotyped through distorted images of Sambo or beasts by using the symbol of invisibility. The protagonist in this work enters a college with dreams that he will accomplish his goal in the white world. But he experiences his limit through several adventures. The protagonist begins to realize his invisibility while internalizing the dominant powers he faces in a white society. Ellison's protagonist gains subjectivity through historical writing and self-meditation. Ellison acknowledges that the conflict is also the element of American reality. Therefore, he embodies dream and vision by acknowledging the problem of reality and diversity. He depicts the protagonist's experiences, including racial identity. Also, Ellison thinks that the individual can not gain subjectivity unless he ironically accept his invisibility in this work.

Abstract

The purpose of this paper is to analyze Ralph Ellison's Invisible Man in terms of protagonist's subjectivity after he overcomes invisibility. Ellison expresses black folklore and culture in Invisible Man. Ellison tries to criticize the reality in which Afro-Americans are stereotyped through distorted images of Sambo or beasts by using the symbol of invisibility. The protagonist in this work enters a college with dreams that he will accomplish his goal in the white world. But he experiences his limit through several adventures. The protagonist begins to realize his invisibility while internalizing the dominant powers he faces in a white society. Ellison's protagonist gains subjectivity through historical writing and self-meditation. Ellison acknowledges that the conflict is also the element of American reality. Therefore, he embodies dream and vision by acknowledging the problem of reality and diversity. He depicts the protagonist's experiences, including racial identity. Also, Ellison thinks that the individual can not gain subjectivity unless he ironically accept his invisibility in this work.

참고문헌 (15)

  1. Baker, Houston A., "Blues, Ideology, and Afro-American Literature: a Vernacular Theory" (1987), University of Chicago
  2. Bellow, Saul, "Review of Invisible Man", pp.608~610 (1952), Commentary
  3. Boskin, Joseph, "Sambo: the Rise & Demise of an American Jester" (1986), Oxford UP
  4. Du Bois, W. E. B., "The Souls of Black Folk. Rpt" (2009), Library of America
  5. Ellison, Ralph, "Invisible Man" (1995), Vintage Books
  6. Fanon, Frantz, "Black Skin, White Masks" (2008), Grove
  7. Genter, Robert, "Toward a Theory of Rhetoric: Ralph Ellison, Kenneth Burke, and the Problem of Modernism", Twentieth Century Literature, 48(2), pp.191~214 (2002)
  8. Harper, Philip Brian, "To Become One and Yet Many: Psychic Fragmentation and Aesthetic Synthesis in Ralph Ellison's Invisible Man", Black American Literature Forum, pp.681~700 (1989), Indiana State UP
  9. Hassan, Ihab, "Contemporary American Literature, 1945-1972; an Introduction" (1973), Ungar
  10. Hoberek, Andrew, "Race Man, Organization Man, Invisible Man", Modern Language Quarterly, 59(1), pp.99~119 (1998)
  11. Morel, Lucas E., "Ralph Ellison and the Raft of Hope: A Political Companion to Invisible Man" (2004), Kentucky UP
  12. Payne, Ladell, "Black Novelists and the Southern Literary Tradition", pp.1981
  13. Schaub, Thomas, "New Essays on Invisible Man", pp.123~156 (1988), Cambridge UP
  14. Smith, Valerie, ""Ralph Ellison's Invisible Autobiographer. "Self-discovery and Authority in Afro-American Narrative", pp.88~121 (1987), Havard UP
  15. Sundquiet, Eric J., "Cultural Contexts for Ralph Ellison's Invisible Man" (1995), Bedford

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