롱본에서 펨벌리로: 각색 영화 <오만과 편견>에 재현된 베넷 가정과 펨벌리
From Longbourn to Pemberley: Bennet Home and Pemberley in Film Adaptations of Pride and Prejudice
0
조회
0
다운로드
2
인용
0
참고문헌
키워드
초록
Pride and Prejudice illustrates the ways in which Elizabeth Bennet, the heroine, who is discontented with the lack of propriety and education in Bennet home, chooses to be a mistress of an ideal society of Pemberley. Paying attention to the opposed values of the two places, this essay examines 4 film adaptations of Pride and Prejudice and discusses the ways in which each film represents Bennet home and Pemberley as a society. The two Hollywood films create a Bennet Utopia with a benevolent father on the center and loving family members. By promoting middle class family values, the two films do not necessarily idealize Pemberley as a society of moral superiority; the 2005 film focuses on visual splendor of the landscape and the prestigious Pemberley estate yet overlooking elements of morality, while the 1940 film deletes Pemberley scenes. On the other hand, the two BBC telefilms give a harsh description of marital problems in Bennet home, yet desirability of Pemberley is represented in a different way depending on the characterization of two patriarchal figures such as Bennet and Darcy, as well as the heroine herself.
Abstract
Pride and Prejudice illustrates the ways in which Elizabeth Bennet, the heroine, who is discontented with the lack of propriety and education in Bennet home, chooses to be a mistress of an ideal society of Pemberley. Paying attention to the opposed values of the two places, this essay examines 4 film adaptations of Pride and Prejudice and discusses the ways in which each film represents Bennet home and Pemberley as a society. The two Hollywood films create a Bennet Utopia with a benevolent father on the center and loving family members. By promoting middle class family values, the two films do not necessarily idealize Pemberley as a society of moral superiority; the 2005 film focuses on visual splendor of the landscape and the prestigious Pemberley estate yet overlooking elements of morality, while the 1940 film deletes Pemberley scenes. On the other hand, the two BBC telefilms give a harsh description of marital problems in Bennet home, yet desirability of Pemberley is represented in a different way depending on the characterization of two patriarchal figures such as Bennet and Darcy, as well as the heroine herself.
참고문헌 (19)
- Austen, Jane, "Pride and Prejudice" (2006), Oxford UP
- Belton, Ellen, "Jane Austen on Screen", pp.175~196 (2003), Cambridge UP
- Ellington, H. Elisabeth, "Jane Austen in Hollywood", pp.90~110 (2001), UP of Kentucky
- Hopkins, Lisa, "Jane Austen in Hollywood", pp.111~121 (2001), UP of Kentucky
- Hopkins, Lisa, "Relocating Shakespeare and Austen on Screen" (2009), Palgrave Macmillan
- Monaghan, David, "The Cinematic Jane Austen: Essays on the Filmic Sensibility of the Novels" (2009), McFarland
- Parrill, Sue, "Jane Austen on Film and Television" (2002), McFarland
- Sadoff, Dianne F., "Victorian Vogue: British Novels on Screen", pp.1~45 (2009), U of Minnesota P
- Sheen, Erica, "The Classic Novel from Page to Screen", pp.14~30 (2000), Manchester UP
- Sorbo, Marie N., "Irony and Idyll: Jane Austen’s Pride and Prejudice and Mansfield Park on Screen" (2014), Rodopi
- Troost, Linda V., "Filming Tourism, Portraying Pemberley", Eighteenth-Century Fiction, 18(4), pp.477~498 (2006)
- Troost, Linda V., "The Cambridge Companion to Literature on Screen", pp.75~89 (2007), Cambridge UP
- Troost, Linda V, "Jane Austen in Hollywood" (2001), UP of Kentucky
- "Jane Austen Movies and Television Shows"[URL]
- Wiltshire, John, "Recreating Jane Austen" (2001), Cambridge UP
- Robert Leonard, "Pride and Prejudice", MGM, ~ (1940)
- Cyril Coke, "Pride and Prejudice", BBC, ~ (1980)
- Simon Langton, "Pride and Prejudice", BBC, 1995
- Joe Wright, "Pride & Prejudice", Working Title, ~ (2005)