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반-스파이소설과 반-추리소설로서의 『비밀요원』

The Secret Agent as Anti-Spy and Anti-Detective Novel

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This paper reads The Secret Agent as an anti-spy and anti-detective fiction. The Secret Agent subverts the convention of spy novels through the degrading representation of a spy character and his espionage. Verlock, the double agent in the novel, stands as the opposite of the ideal spy—the young, brave, smart, good-looking hero. His intelligence operation is represented in terms of running a porn shop. The Secret Agent deconstructs the formulas of detective fiction by subversively representing law, crime, science, home and family. In the Secret Agent, there is no distinction between criminals and law enforcement officers; the confidence in scientific investigation is denied; and home functions as the hotbed of abuse and murder. The Secret Agent not only performs anti-genre experiments but displays a totally different view on the world. Showing the dark and pessimistic view of the world which would emerge in hard-boiled detective fiction after the World War One, it proves that Conrad has an apocalyptic insight into the future.

Abstract

This paper reads The Secret Agent as an anti-spy and anti-detective fiction. The Secret Agent subverts the convention of spy novels through the degrading representation of a spy character and his espionage. Verlock, the double agent in the novel, stands as the opposite of the ideal spy—the young, brave, smart, good-looking hero. His intelligence operation is represented in terms of running a porn shop. The Secret Agent deconstructs the formulas of detective fiction by subversively representing law, crime, science, home and family. In the Secret Agent, there is no distinction between criminals and law enforcement officers; the confidence in scientific investigation is denied; and home functions as the hotbed of abuse and murder. The Secret Agent not only performs anti-genre experiments but displays a totally different view on the world. Showing the dark and pessimistic view of the world which would emerge in hard-boiled detective fiction after the World War One, it proves that Conrad has an apocalyptic insight into the future.

참고문헌 (18)

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  2. 계정민, "계급, 인종, 범죄: 빅토리아 시대 영국 추리소설", 근대영미소설, 16(3), pp.5~22 (2009), 한국근대영미소설학회
  3. 성은애, "『비밀요원』의 멜로드라마 실험", 근대영미소설, 16(1), pp.133~156 (2009), 한국근대영미소설학회
  4. Berglund, Brigitta, "The Art of Detective Fiction", pp.138~152 (2000), St. Martin’s
  5. Bloom, Clive, "Spy Thrillers: From Buchan to le Carré", pp.1~11 (1990), Macmillan
  6. Conrad, Joseph, "The Secret Agent: A Simple Tale" (2007), Penguin Classics
  7. Dennig, Michael, "Cover Stories: Narrative and Ideology in the British Spy Thriller" (1987), Routledge
  8. Eagleton, Terry, "Against the Grain: Essays 1975-1985" (1986), Verso
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  10. Grella, George, "Detective Fiction", pp.103~120 (1988), Prentice-Hall
  11. Knight, Stephen, "Form and Ideology in Crime Fiction" (1980), Macmillan
  12. Melchiori, Barbara Arnett, "Terrorism in the Late Victorian Novel" (2016), Routledge
  13. Moffat, Wendy, "Domestic Violence: The Simple Tale with The Secret Agent", English Literature in Translation, 37, pp.465~489 (1994)
  14. Porter, Dennis, "The Pursuit of Crime: Art and Ideology in Detective Fiction" (1981), Yale UP
  15. Roth, Marty, "Foul and Fair Play: Reading Genre in Classic Detective Fiction" (1995), U of Georgia P
  16. Sauerberg, Lars Ole, "Secret-Agent Fiction: A Survey of Its Critical Literature with a Bibliography", Clues, 7, pp.1~31 (1986)
  17. Stafford, David, "Spies and Gentleman: The Birth of the British Spy Novel, 1883-1914", Victorian Studies, 24, pp.497~498 (1981)
  18. Symons, Julian, "Bloody Murder: From the Detective Story to the Crime Novel" (1993), The Mysterious P

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