가네코미스즈(金子みすゞ)의 시 세계 고찰

Abstract

Kaneko Misuzu spent the short life in Senzaki and the Shimonoseki neighborhood of the country of birth. However, an awful universal expanse is felt in her poetry nevertheless. When she sang floral art,it stayed at the insect for the breath of gods not an again mere insect not just a flower; come to be pious. For life of the immortality that dwelled in the thing which was a whit, she would always feel the mysterious gentleness and loneliness mysteriously close. It is only approximately 5 years from 1923 to 1928 that Kaneko Misuzu played an active part as a poet. Poetry to surpass 500 parts in such a short term was born. In the background, the Taisho era is the prosperity period of the nursery rhyme, and there is a thing for the golden age. Japan greets the dark times of the war after Kaneko Misuzu left the world with youth of 26 years old. And, in the disturbance, the world lost a space, and I became more than nursery rhyme, and her work was scattered and lost, and it became hand down with the nursery rhyme poet of the illusion gradually. In 1982 when I passed through more than 50 years in posthumously, Yazaki discovers that Mr. Kamiyama shosuke of her younger brother is living in Tokyo at last. For Ueyama, it was a miraculous encounter. He entrusted three pocket notebooks of the older sister whom he kept carefully to Yazaki to be an ardent lover of the poetry of ,《 big catch 》. 512 poetry that Kaneko Misuzu left by a devoted effort of Yazaki will revive at a stretch in this way.