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가네코 미스즈 시에 나타난 종교심 고찰

Consideration of the religious sentiment that emerged in poetry of Misuzu Kaneko

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It is the nursery rhyme poet who Misuzu Kaneko runs early in the Showa era from last years of the Taisho era, and played an active part. Misuzu Kaneko leaves 512 poetry in the short period of approximately five years. The works of Kaneko Misuzu are said to have a deep relation with Bud-dhism This article analyzes her religiosity as seen in the work. Here, religiosity is defined as the work of recognizing, reflecting on, and deciding on the religious meaning for oneself in nature, the world, human relations, and human life and death. In the work of Misuzu Kaneko, she expresses the sorrow that a human being and a living entity on the earth have. However, in the work of Misuzu Kaneko, She conflicts hardship and sorrow in a frame of the faith, and the figure which she consider and am going to give meaning to is hardly seen. It is because the gods and Buddha have already known pain and the sorrow of a human being and the living entity. Therefore, in the work of Misuzu Kaneko, she sparks sympathy to people who read it by expressing it for the Buddhism-like faith that her sharp sensitivity arrested as they were.

Abstract

It is the nursery rhyme poet who Misuzu Kaneko runs early in the Showa era from last years of the Taisho era, and played an active part. Misuzu Kaneko leaves 512 poetry in the short period of approximately five years. The works of Kaneko Misuzu are said to have a deep relation with Bud-dhism This article analyzes her religiosity as seen in the work. Here, religiosity is defined as the work of recognizing, reflecting on, and deciding on the religious meaning for oneself in nature, the world, human relations, and human life and death. In the work of Misuzu Kaneko, she expresses the sorrow that a human being and a living entity on the earth have. However, in the work of Misuzu Kaneko, She conflicts hardship and sorrow in a frame of the faith, and the figure which she consider and am going to give meaning to is hardly seen. It is because the gods and Buddha have already known pain and the sorrow of a human being and the living entity. Therefore, in the work of Misuzu Kaneko, she sparks sympathy to people who read it by expressing it for the Buddhism-like faith that her sharp sensitivity arrested as they were.

참고문헌 (21)

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