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나쓰메 소세키의 『런던탑(倫敦塔)』 고찰 -공간이동과 역사적 흔적을 통해서 본 상상(想像)을 중심으로-

A study on 『Tower of London』 Natsume Soseki Consideration -in the work Space to jump and the imagination through the historical evidence focused-

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The grandeur and greatness Tower stands as a piece of history, has been victimized by the era of Natsume's eyes grudge of death was a painful history of the area will Soseki, the Tower of London ended the aperture "or" Tower of London in the future people will not talk again to come visit the Tower of London decided not to go to the scene Closes work. "Or" The Tower of the past and present co-exist in the space of a historic 20th-century boarding house many past masters fancy modern monuments and tourist the Tower of London is only a bloody past that the exterior is that of modernization. In other words, feel the mysterious Tower of luxury, you do not want to lose that quaint feeling and painful and bloody history, modernization of the negative feelings that you do not want to see a section called again,is determined. leading 20th-century history of the Tower of London in the but that symbol is that the compression of the past, I felt pain Soseki, who know they will crack the illusion of the tower collapse think that is felt.

Abstract

The grandeur and greatness Tower stands as a piece of history, has been victimized by the era of Natsume's eyes grudge of death was a painful history of the area will Soseki, the Tower of London ended the aperture "or" Tower of London in the future people will not talk again to come visit the Tower of London decided not to go to the scene Closes work. "Or" The Tower of the past and present co-exist in the space of a historic 20th-century boarding house many past masters fancy modern monuments and tourist the Tower of London is only a bloody past that the exterior is that of modernization. In other words, feel the mysterious Tower of luxury, you do not want to lose that quaint feeling and painful and bloody history, modernization of the negative feelings that you do not want to see a section called again,is determined. leading 20th-century history of the Tower of London in the but that symbol is that the compression of the past, I felt pain Soseki, who know they will crack the illusion of the tower collapse think that is felt.

참고문헌 (9)

  1. 권혁건, "쓰메 소세키 생애와 작품", pp.235~ (2007), 고려대학교출판부
  2. 강석균, "스토리 인 런던", pp.110~111 (2009), 넥서스
  3. 정수경, "한국의 STAINED GLASS스테인드글라스: 빛과 색채의 향연", pp.16~ (2011), 이담북스
  4. 나츠메 소세키, "나츠메 소세키 문학예술론", pp.29~30 (2004), 소명
  5. "夏目漱石全集(第2卷)" (2002), 岩波書店
  6. 平岡敏夫, "漱石日記", pp.21~ (2010), 岩波書店
  7. 三好行雄, "漱石書簡集", pp.74~ (2010), 岩波書店
  8. 大竹雅則, "夏目漱石論攷", pp.7~ (1988), 桜楓社
  9. 尾上新太郎, "夏目漱石 "倫敦塔" 論", 論集, (13), pp.97~106 (1995)

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