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『古事記』下巻の構想 -オケ·ヲケの物語-

The concept for the third volume of the “Kojiki” -The tale of Oke-Woke-

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The tradition about Oke-Woke which acceded to the throne as Emperor Kenso and Jinken begins from a brother's sufferings which took place for his father murdered by Yuryaku. In the "Kojiki", it results from declaration of Woke in the new-building party of Sijimu of Harima, and in accession to the throne through the competition by Utagaki, and mutual concessions of the Imperial Throne. Moreover, it is told to the talk of the revenge in which only a form damages the origin of OkimenoOuna, and the grave of Yuryaku. The tradition after accession to the throne is an anecdote of the reign which emphasizes the Emperor's virtue and leads also to Emperor Nintoku image of the third volume beginning. The above brothers' tradition is looked at by the "Nihonshoki", and is considered to have been taken from data of the same kind probably. However, there are mutually different places, such as a traditional situation, a scene of a tale, and a part arranged. Moreover, the tale of Oke-Woke has four themes called sufferings, revival and sovereignty, and virtue in politics. This has a place similar also in the "Kojiki." That is, it has the structure of leading also to the Ohokuninusi tale in the first volume, the tradition of Emperor Oujin and Prince Yamatotakeru in second volume. It seems that the tale of the brother who becomes the last of third volume was constituted from above points by an editor's intention. In other words, it was made so that the view of the world of the "Kojiki" might be met. In short, it was told by the concept of the work.

Abstract

The tradition about Oke-Woke which acceded to the throne as Emperor Kenso and Jinken begins from a brother's sufferings which took place for his father murdered by Yuryaku. In the "Kojiki", it results from declaration of Woke in the new-building party of Sijimu of Harima, and in accession to the throne through the competition by Utagaki, and mutual concessions of the Imperial Throne. Moreover, it is told to the talk of the revenge in which only a form damages the origin of OkimenoOuna, and the grave of Yuryaku. The tradition after accession to the throne is an anecdote of the reign which emphasizes the Emperor's virtue and leads also to Emperor Nintoku image of the third volume beginning. The above brothers' tradition is looked at by the "Nihonshoki", and is considered to have been taken from data of the same kind probably. However, there are mutually different places, such as a traditional situation, a scene of a tale, and a part arranged. Moreover, the tale of Oke-Woke has four themes called sufferings, revival and sovereignty, and virtue in politics. This has a place similar also in the "Kojiki." That is, it has the structure of leading also to the Ohokuninusi tale in the first volume, the tradition of Emperor Oujin and Prince Yamatotakeru in second volume. It seems that the tale of the brother who becomes the last of third volume was constituted from above points by an editor's intention. In other words, it was made so that the view of the world of the "Kojiki" might be met. In short, it was told by the concept of the work.

참고문헌 (15)

  1. 津田左右吉, "日本古典の研究(下)" (1945), 岩波書店
  2. 次田潤, "古事記新講" (1956), 明治書院
  3. 溝口睦子, "上代文学論叢" (1968), 桜楓社
  4. 土橋寛, "古代歌謡全注釈(古事記編)" (1972), 角川書店
  5. 西谷義昭, "古事記のおける『志毘』伝承の形成", 国史学研究, (創刊) (1975)
  6. 山路平四郎, "記紀歌謡(古代の文学1)" (1976), 早稲田出版部
  7. 岸正尚, "古事記の『志毘物語』をめぐる覚書", 並木の里, (50) (1978)
  8. 中西進, "論集上代文学(第7冊)" (1979), 笠間書院
  9. 倉野憲司, "古事記全註釈(第七巻)" (1980), 三省堂
  10. 北郷美保, "日本古代史論考" (1980), 吉川弘文館
  11. 都倉義孝, "袁祁命物語論ー『古事記』の構造に関連して─", 早稲田商学, (302) (1983)
  12. 西郷信綱, "古事記注釈(第四巻)" (1989), 平凡社
  13. 阿部誠, "古事記の構想" (1994), 高科書店
  14. 阪下圭八, "古事記の構想" (1994), 高科書店
  15. 野口武司, "古事記の構想" (1994), 高科書店

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