日本と韓国で用いられている西洋音楽用語に関する語種の研究
Survey on western music terms used in Japan and Korea
0
조회
0
다운로드
0
인용
0
참고문헌
키워드
초록
This study investigated the western musical terms currently used in Japan and South Korea. The musical terms, extracted from “Music Grammar” of Japanese and Korean, were classified six groups and eight groups, respectively. In case of musical terms used in Japan, over half of the musical terms were Kanji words and were followed by loanword, hybrid words with Japanese and Kanji and Japanese language. In Korea, Sino-Korean words, hybrid words with Korean and Sino Korean, and loanword showed similar ratios. Here, Sino-Korean words used in Korea could be divided into two types of characters. First, Kanji words having the same meaning and shapes with those of Japan. Second, Kanji words having the same meaning but different shapes from those of Japan. Many Sino-Korean words appeared more frequently in professional and theoretical items than hybrid words with Korean and Sino-Korean. Sino-Korean words having same shapes with those of Japan showed more in professional and theoretical items than in basic items.
Abstract
This study investigated the western musical terms currently used in Japan and South Korea. The musical terms, extracted from “Music Grammar” of Japanese and Korean, were classified six groups and eight groups, respectively. In case of musical terms used in Japan, over half of the musical terms were Kanji words and were followed by loanword, hybrid words with Japanese and Kanji and Japanese language. In Korea, Sino-Korean words, hybrid words with Korean and Sino Korean, and loanword showed similar ratios. Here, Sino-Korean words used in Korea could be divided into two types of characters. First, Kanji words having the same meaning and shapes with those of Japan. Second, Kanji words having the same meaning but different shapes from those of Japan. Many Sino-Korean words appeared more frequently in professional and theoretical items than hybrid words with Korean and Sino-Korean. Sino-Korean words having same shapes with those of Japan showed more in professional and theoretical items than in basic items.
참고문헌 (21)
- 김홍인, "음악의 기초이론" (2009), 수문당
- "2015 개정교육과정에 따른 교과서 용도서 개발을 위한 교과서 편수자료Ⅱ-인문・사회과학/체육・음악・미술편" (2015)[URL]
- 백병동, "대학음악이론 제3판" (2007), 현대음악출판사
- 이성천, "음악통론과 그 실습" (1971), 음악예술사
- 石桁真礼生, "新装版楽典理論と実習" (2001), 音楽之友社
- 菊池有恒, "楽典音楽家を志す人のための新版" (1988), 音楽之友社
- 文部科学省, "教育用音楽用語" (2013), 教育芸術社
- Park Hyea-Jung, "영어로도 배우는 음악이론" (2005), 예성출판사
- "2015 개정교육과정에 따른 교과서 용도서 개발을 위한 교과서 편수자료Ⅱ-인문・사회과학/체육・음악・미술편" (2015)[URL]
- 민경찬, "한국 근대 음악 용어의 형성과정 및 그 특징에 관하여", 미학예술학연구, 20, pp.103~125 (2004), 한국미학예술학회
- 박사라, "음악용어와 악전에 나타난 음악용어에 관한 연구-1945년부터 1963년 까지를 중심으로", 석사, pp.2014
- 박재성, "서양음악용어의 한글표준화를 위한 논의:음악이론용어를 중심으로", 음악논단, 21(21), pp.47~73 (2007), 음악연구소
- 백병동, "대학음악이론", pp.56~ (2007), 현대음악출판사
- 세광음악출판사 사전편찬위원회, "音樂用語辞典", pp.215~ (1986), 세관음악출판사
- 伊藤和晃, "近代日本語における西洋音楽用語の流入と定着の様相-洋楽専門書と『広辞林』 を中心に", 横浜国大国語研究, 29, pp.21~ (2011), 横浜国立大学国語・日本語教育学会
- 上田真樹, "明治楽語事始1 音楽取調掛と瀧村小太郎", NEW COMPOSER, 7, pp.29~ (2007), 日本現代音楽協会誌
- 上田真樹, "明治楽語事始2 瀧村小太郎の試行", NEW COMPOSER, 9, pp.39~ (2008), 日本現代音楽協会誌
- 上田真樹, "明治楽語事始3 音楽取調掛による音楽用語の採用", NEW COMPOSER, 10, pp.42~ (2009), 日本現代音楽協会誌
- 上野京福, "英語語彙の研究", pp.84~ (1985), 研究社出版
- 田邊隆, "明治時代における音楽用語の研究;楽典事項の比較検討を中心にして", 愛媛大学教育学部紀要 第Ⅰ部 教育科学, 32, pp.131~ (1986)
- 堀内久美, "新音楽辞典 楽語", pp.433~ (1977), 音楽之友社
