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『万葉集』と新羅郷歌、新羅漢詩の「死」の認識

"Manyou-syu" and "Silla's Hyang-ga" and "Silla's Chinese poem" , the recognition about death

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The poetry which sang death by the "Manyou-syu" is called the "Banka." There is "Banka" especially looked at by the volume 2, the volume 3, the volume 7, the volume 9, the volume 13, and the volume 14. In addition, although not divided, some places "Banka" of the whole "Manyou-syu" are scattered. In "Hyang-ga", conquest of that is made with the problem the feeling that a "Jemangme-ga", a "Mojukjirang-ga", a "Changiparang-ga", "Onewangseang-ga", etc. are felt from death. But, "Manyou-syu"too small compared to that number. Because the information "Silla's Hansi" at the time. Why ancient people singing the death. Japan and Korea about representations of the death of the ancient people of the recognition and to compare the similarities and dissimilarities. The ancient Japanese who could see through "Manyoshu";The purpose with which a song was made sorrows over the person who died, but if it's to show the loneliness, it seems. The ancient Korean who could see through "Hyang-ga" and "Silla's Chinese poem";The purpose with which a song was made sorrows over the person who died. It seemed not to be afraid of death and to get in touch with life by Buddhist influence.

Abstract

The poetry which sang death by the "Manyou-syu" is called the "Banka." There is "Banka" especially looked at by the volume 2, the volume 3, the volume 7, the volume 9, the volume 13, and the volume 14. In addition, although not divided, some places "Banka" of the whole "Manyou-syu" are scattered. In "Hyang-ga", conquest of that is made with the problem the feeling that a "Jemangme-ga", a "Mojukjirang-ga", a "Changiparang-ga", "Onewangseang-ga", etc. are felt from death. But, "Manyou-syu"too small compared to that number. Because the information "Silla's Hansi" at the time. Why ancient people singing the death. Japan and Korea about representations of the death of the ancient people of the recognition and to compare the similarities and dissimilarities. The ancient Japanese who could see through "Manyoshu";The purpose with which a song was made sorrows over the person who died, but if it's to show the loneliness, it seems. The ancient Korean who could see through "Hyang-ga" and "Silla's Chinese poem";The purpose with which a song was made sorrows over the person who died. It seemed not to be afraid of death and to get in touch with life by Buddhist influence.

참고문헌 (14)

  1. キム, "郷歌にあらわれた死の認識の二つの様相", 梨花女子大学論文集 (1990)
  2. キム, "郷歌文学論" (1997), セムンサ
  3. キム, "郷歌と高麗歌謡" (2000), ソウル大学出版部
  4. ヤン, "祭亡妹歌の意味と形状", 国語国文学, 102 (1989), 国語国文学会
  5. 青木生子, "万葉集歌論" (1984), おうふう
  6. 伊藤博, "伝説歌の源流", 国語国文, 33(3)
  7. 折口信夫, "歌の発生及びその万葉集における展開", その他
  8. 菊池威雄, "万葉の挽歌-その生と死のドラマ" (2007), 塙書房
  9. 駒木敏, "挽歌の成立と展開", 同志社国文学, 3 (1969)
  10. 瀬古確, "萬葉集に於ける表現の研究" (1966), 風間書房
  11. 人見亜紀, "萬葉集挽歌における「死ぬ」の表現性", 日本文学論究, 59 (2000)
  12. 松尾光, "万葉集とその時代" (2009), 笠間書院
  13. 森本健吉, "萬葉集挽歌に於ける敬避性", 国語と国文学, 17(10), pp.10~ (1940)
  14. レヴィーブリュル, "未開社会の思惟 下" (1953), 岩波文庫

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