재일코리안 영화문화에 나타난 디아스포라적 삶의 고찰
A Study on the Diasporic Life of Japanese-Korean Movie Culture
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The purpose of this study is to analyse the image of the Japanese-Korean found on the Japanese-Korean movie, pain of the Diaspora and experience, and Diasporic life of Deok-Soo Oh director. The research method of this study is to examine the tendency of the works which Japanese and Japanese-Korean movie director makes and content and case of the Diaspora life of the Japanese Korean Deok-Soo Oh director about Zainichi movie. The findings of this study are as follows: First, as to the Japanese-Korean movie, the movie began to be manufactured in the process where the Japanese-Korean have been realizing the self-identity in Japan. Second, the aspects of the Japanese-Korean which Japanese movie directors described was appeared for the attitude which is various according to the time situation including the Yakuza, the third country etc. since 1960's. Third, Japanese-Korean movie made a film of the diversification of the identity, conflict of identity, finding identity etc. from the late 1970's. Fourth, the Japanese Korean movie is requesting the root that it is the country and nation and solution which is faced with the differentiation and pursues the human nature to the audiences. In conclusion, the findings of the study suggest that Japanese-Korean movie is estimated to show the Diaspora experience and characteristic which was trying to express the Diasporic life and reality with the movie through the world of image.
Abstract
The purpose of this study is to analyse the image of the Japanese-Korean found on the Japanese-Korean movie, pain of the Diaspora and experience, and Diasporic life of Deok-Soo Oh director. The research method of this study is to examine the tendency of the works which Japanese and Japanese-Korean movie director makes and content and case of the Diaspora life of the Japanese Korean Deok-Soo Oh director about Zainichi movie. The findings of this study are as follows: First, as to the Japanese-Korean movie, the movie began to be manufactured in the process where the Japanese-Korean have been realizing the self-identity in Japan. Second, the aspects of the Japanese-Korean which Japanese movie directors described was appeared for the attitude which is various according to the time situation including the Yakuza, the third country etc. since 1960's. Third, Japanese-Korean movie made a film of the diversification of the identity, conflict of identity, finding identity etc. from the late 1970's. Fourth, the Japanese Korean movie is requesting the root that it is the country and nation and solution which is faced with the differentiation and pursues the human nature to the audiences. In conclusion, the findings of the study suggest that Japanese-Korean movie is estimated to show the Diaspora experience and characteristic which was trying to express the Diasporic life and reality with the movie through the world of image.
참고문헌 (13)
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