다나카 히데미쓰(田中英光) 소설 속에 나타난 일제강점기 조선의 사회상 고찰 -『취한 배(酔いどれ船)』를 중심으로-
Consideration of the Korean society aspect of the colony that appeared in a novel of Hidemitsu Tanaka - Mainly on "Drunk ship" -
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Hidemitsu Tanaka was an author of "Buraiha" in the history of Japanese literature, but was not noticed as much as the mainstream writers of "Buraiha" such as Osamu Dazai, Ango Sakaguchi, and Sakunosuke Oda. However, the experiences in Korea, a Japanese imperialist colony that he experienced, are his unique experience, which other writers of "Buraiha" could not experience. Therefore, it is the key to identifying his literary world. In colonial Korea, he acted as a permanent secretary of the Korean Writers Association and left many works against the Korean colonization according to the National Policy Literature promoted by Japanese imperialism. In this article, in the novel against the background of colonial Korea which Britain wrote, after the war, I will try to consider "drunken ship" which is a work of 1948. This work knows the atmosphere of colonial Korea. In addition, this work shows the way that the Korean Writers' Association, which led the Korean literary era at the time, and the Korean writers, the officials of the Korean writers, and the Japanese officials are as they are and their activities. In this paper, I will try to pursue the reality of the colonial Korean literature at that time through the "Drunken Ship" and the activity aspects of literatians.
Abstract
Hidemitsu Tanaka was an author of "Buraiha" in the history of Japanese literature, but was not noticed as much as the mainstream writers of "Buraiha" such as Osamu Dazai, Ango Sakaguchi, and Sakunosuke Oda. However, the experiences in Korea, a Japanese imperialist colony that he experienced, are his unique experience, which other writers of "Buraiha" could not experience. Therefore, it is the key to identifying his literary world. In colonial Korea, he acted as a permanent secretary of the Korean Writers Association and left many works against the Korean colonization according to the National Policy Literature promoted by Japanese imperialism. In this article, in the novel against the background of colonial Korea which Britain wrote, after the war, I will try to consider "drunken ship" which is a work of 1948. This work knows the atmosphere of colonial Korea. In addition, this work shows the way that the Korean Writers' Association, which led the Korean literary era at the time, and the Korean writers, the officials of the Korean writers, and the Japanese officials are as they are and their activities. In this paper, I will try to pursue the reality of the colonial Korean literature at that time through the "Drunken Ship" and the activity aspects of literatians.
참고문헌 (10)
- "田中英光全集 2, 11巻" (1965), 芳賀書店
- "田中英光全集 第11巻", pp.451~452 (1965)
- "田中英光全集 第2巻 解説", pp.414~ (1965), 芳賀書店
- 田中英光, "酔いどれ船", pp.287~ (1949), 小山書店
- 田中英光, "田中英光全集 第2巻", pp.389~ (1943)
- 伊藤公久, "田中英光戦争期・戦後-植民地朝鮮と戦地体験-", 湘南文学, (30), pp.86~ (1996), 東海大学日本文学硏究会
- 川村湊, "<酔いどれ船>の青春", pp.5~146 (2000), インパクト出版社
- 金史良, "近代朝鮮文学日本語作品集 創作集2(1939-1945)", pp.352~384 (1940), 緑陰書房
- 秋錫敏, "『酔いどれ船』論-田中英光と坂本享吉を中心に", 湘南文学, (25) (1991), 東海大学日本文学研究会
- 秋錫敏, "『天馬』と『酔いどれ船』の比較考察-坂本享吉と田中英光を中心に-", 東アジア日本語教育日本文化研究, 3 (2000), 東アジア日本語教育日本文化研究学会
