万延期以降の<膝栗毛もの>作品群における書目年表稿
Catalog of books chronological table of “HIZAKURIGEGroup” work’s after 1860
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This report was aimed for comprehensive completion of the history of pattern succession of “HIZAKURIGEGroup” in what I inspected for bibliography about the work group from 1860 onwards to the 1920’s during the time when“HIZAKURIGEGroup”was created. In other words, I followed totally 46 kinds of the work “HIZAKURIGEGroup” (Soroimono, Esugoroku, books with illustrations, theater) for bibliography in chronological order and built history of pattern succession in the second half of “HIZAKURIGEGroup”. As a result, from numerousness of “Drama thing” performed lively, it became clear for the late Tokugawa period and the Meiji period that “HIZAKURIGE” had a closer relation with entertainment culture. Until today, in the background that “HIZAKURIGEGroup”are created one after another, there are many places to owe to the entertainment culture including Kabuki and Joruri in this way.
Abstract
This report was aimed for comprehensive completion of the history of pattern succession of “HIZAKURIGEGroup” in what I inspected for bibliography about the work group from 1860 onwards to the 1920’s during the time when“HIZAKURIGEGroup”was created. In other words, I followed totally 46 kinds of the work “HIZAKURIGEGroup” (Soroimono, Esugoroku, books with illustrations, theater) for bibliography in chronological order and built history of pattern succession in the second half of “HIZAKURIGEGroup”. As a result, from numerousness of “Drama thing” performed lively, it became clear for the late Tokugawa period and the Meiji period that “HIZAKURIGE” had a closer relation with entertainment culture. Until today, in the background that “HIZAKURIGEGroup”are created one after another, there are many places to owe to the entertainment culture including Kabuki and Joruri in this way.
참고문헌 (22)
- 井上和雄, "浮世絵師伝", pp.84~ (1931), 渡辺版画店
- 伊原敏郎, "歌舞伎年表 第七巻", pp.112~345 (1962), 岩波書店
- 岡本文弥, "新内浄瑠璃古正本考", pp.1~231 (1979), 同成社
- 尾崎久弥, "増訂江戸軟文学考異", pp.1~582 (1933), 文修堂
- 강지현, "安政期までの<膝栗毛もの>作品群における書目年表稿", 日本語敎育, (80), pp.61~76 (2017), 한국일본어교육학회[DOI]
- 康志賢, "<膝栗毛もの>作品群の書誌ーその図様継承史の一環としてー", 国語国文, (923), pp.36~55 (2011), 京都大学文学部国語国文学研究室
- 康志賢, "<膝栗毛もの>の絵双六"しんはん東海道鬱散双六"･"五十三駅滑稽膝栗毛道中図会"の位置付け", 浮世絵芸術, (159), pp.48~61 (2010), 国際浮世絵学会
- 강지현, "<膝栗毛もの>絵双六に現れた江戸表象文化考", 일본연구, (39), pp.67~84 (2009), 일본연구소[DOI]
- 康志賢, "<膝栗毛もの>絵双六の表象と表現", 国際日本文学研究集会会議録, (30), pp.95~108 (2007), 国文学研究資料館
- 原色浮世絵大百科事典編集委員会, "原色浮世絵大百科事典" (1982), 大修館書店
- 鈴木俊幸, "絵草紙屋 江戸の浮世絵ショップ", pp.164~ (2010), 平凡社
- 常葉美術館, "東海道中膝栗毛の世界展", 常葉美術館図録, 1~83 (2008)
- 豊橋市二川宿本陣資料館, "弥次喜多東海道展", 豊橋市二川宿本陣資料館図録, 1~26 (2001)
- 中山正明, "膝栗毛文芸集成", pp.791~ (2016), ゆまに書房
- 尾山蒼海, "膝栗毛大全集･新内の膝栗毛", 演芸画報, ~ (1933)
- 川戸道昭, "図説絵本･挿絵大辞典", pp.1~595 (2008), 大空社
- 横浜市歴史博物館蔵, "東海道双六の世界", 横浜市歴史博物館蔵図録, 1~15 (2001)
- 古井戸秀夫編, "歌舞伎登場人物事典", pp.798~ (2006), 白水社
- 関肇, "新聞小説の時代―メディア･読者･メロドラマ", pp.1~364 (2007), 新曜社
- 香川雅信, "日本妖怪学大全", pp.31~64 (2003), 小学館
- 豊橋市二川宿本陣資料館, "道中双六", 豊橋市二川宿本陣資料館図録, 1~79 (1998)
- "日本国語大辞典, 日本大百科全書, 国史大辞典"[URL]