피에르 불레즈의 [피아노 소나타 No.1] 분석 연구

Abstract

Music opens new ages and trends as doing new attempts onto current being as like other arts. In concert with social, cultural revolution of 20C, music art changed and developed has created various musical techniques and trends more than other centuries. Pierre Boulez is standing on the center of genealogy of music history and is penetrating antagonistic relationship and synthesis among Total Serialism, Chance Music and Electronic Music. Therefore, it is important to understand of his musical works as music scholars and pianists. This article was shown an analysis of [Piano Sonata no.1] Boulez’s work, centered “Musical Poetics.”Although [Piano Sonata no.1] used to be well known as first work written by 12 techniques, that is independent pieces reflected uniques system of Boulez himself without totally depend on conventional rules. Duplex structure is a characteristic of this work that was presented to accumulate Boulez’s musical thinking process which came from Surrealism influence of conflict and antagonism in themes. His own aesthetic researches at the time had led him to a very clear awareness of the necessity for rhythm. Boulez’s Sonata no.1 for piano were marked, not only by Messiaen’s influence, more but that of the Debussy specially tone color and composition going through the pieces. 24To have gained a perspective in which Boulez’s musical technique implies and even logically entails such disputation between compromizing of others mode or creation of his own that, depends on reader’s taste and judgement respectively. The musical scholar’s may indeed have chased his contribution for the musical traces: certainly so long as that technique remains an open one, he is still free to go on making discoveries.