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정소산류 검무의 특성과 전승가치

The characteristics and values of Jeong So-san's sword dance

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This study is conducted to help in establishing the organization system of Jeong So-san's sword dance, and furthermore to preserve and hand down regional traditional culture, based on the historical values recognized. When the characteristics of Jeong So-san's sword dance of Daegu area and its transmission value are studied, it is found that Jeong So-san's sword dance of Jeong, So-san who was a female musician of the royal court and in charge of Yeoryeongjeongjae at the court, used Hansam as an element of the court dance. The dance costume consists of Jeonrip(felt hat) decorated with flowers and has Jeong So-san's sword dance's own unique form, unlike other sword dances' costumes. Besides, two female dancer appear during the hand dance in a sitting posture and this is Jeong So-san's sword dance's own unique style which is differentiated from other sword dances. In addition, Jeong So-san's sword dance apply for registration as an intan- gible cultural property of Gyeongbuk Province in 1967 and is recognized for its cultural value after deliberation. Thus, it is thought that its transmission value has validity, sufficiently. In conclusion, it is important to understand the value of Jeong So-san's sword dance which is based on each region and preserve and pass down this.

Abstract

This study is conducted to help in establishing the organization system of Jeong So-san's sword dance, and furthermore to preserve and hand down regional traditional culture, based on the historical values recognized. When the characteristics of Jeong So-san's sword dance of Daegu area and its transmission value are studied, it is found that Jeong So-san's sword dance of Jeong, So-san who was a female musician of the royal court and in charge of Yeoryeongjeongjae at the court, used Hansam as an element of the court dance. The dance costume consists of Jeonrip(felt hat) decorated with flowers and has Jeong So-san's sword dance's own unique form, unlike other sword dances' costumes. Besides, two female dancer appear during the hand dance in a sitting posture and this is Jeong So-san's sword dance's own unique style which is differentiated from other sword dances. In addition, Jeong So-san's sword dance apply for registration as an intan- gible cultural property of Gyeongbuk Province in 1967 and is recognized for its cultural value after deliberation. Thus, it is thought that its transmission value has validity, sufficiently. In conclusion, it is important to understand the value of Jeong So-san's sword dance which is based on each region and preserve and pass down this.

참고문헌 (13)

  1. 김지원, "지역성과 관련한 한국 춤의언어문화학적 연구법 고찰 -대구 지역 권명화 살풀이를 중심으로-", 공연문화연구, 0(17), pp.107~134 (2008), 한국공연문화학회
  2. "매일신문,1974년 7월 21일, 5면", ~ (1974)
  3. 매일신보, "향토의 민속예술", ~ (1970)
  4. "매일신보, 1968년 11월 10일", ~ (1968)
  5. 무형문화재지정자료조사, "경북교문1081. 6-2", 문화재 관리국, ~ (1969)
  6. 백현순, "대구지역 한국 춤의 전승과 흐름", 한국체육사학회지, 13(3), pp.97~110 (2008), 한국체육사학회
  7. 성기숙, "일제강점기 권번과 기생의 전통춤 연구", 학술발표대회 자료집, 2001(1), pp.1~13 (2001), 한국민속학회
  8. 성기숙, "한국 춤의 역사와 문화재" (2005), 민속원
  9. 송기영, "정재(呈才) 전승양상에 관한 연구", 박사, pp.2013
  10. 오레지나, "대구지역 수건춤의 유형적 특성과 전승 가치", 한국무용교육학회지, 25(3), pp.79~90 (2014), 한국무용교육학회
  11. 이병옥, "영남춤의 생태민속학적 고찰", 한국무용연구, 29(2), pp.81~103 (2011), 한국무용연구학회
  12. 임수정, "한국 여기검무의 예술적 형식과 지역적 특성 연구", 박사, 무용학, pp.2007
  13. 백년욱, "개인 면담", 2015년 2월 17일, ~ (2015)

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