정소산류 ‘대구흥춤’의 특징과 가치

Abstract

In consideration of traditional and modern dance history in Daegu, Jeong So-san is a historical figure who laid the foundation and cornerstone for Daegu traditional dance through vigorous activity. However, research about him has been hardly conducted so far. Because of the situation, this researcher proceeded with this research starting from the risk that the crucial material for traditional dance history in Daegu might be lost somehow. This research began with the necessity for studying the features and value of Jeong So-san style ‘Daeguheungchum’. The features and value of Jeong So-san style ‘Daeguheungchum’ can be summarized largely with eight points. This research deals with the features and value of Jeong So-san style ‘Daeguheungchum’, and it can be summarized with total eight points below: First, it is dance that contains Ha Gyu-il and Jeong So-san’s spirit of dance and their unique dance movement. And it combines the principles of court dance and folk dance.. Second, it is mostly about heung (興; excitement) rather than han (恨; resentment). It is dance of fun completed with the paradoxical dynamic structure of han and heung. Third, it is dance of being tender in the outside but strong in the inside. And it is dance that shows aesthetics of moving while being static, that is, the core of our traditional dance. Fourth, the dancer never runs or moves around here and there. The dance is performed almost at the same place. The dancer never goes round more than once. It is characterized by that the dancer erects his waist straight and almost never adopt movement accompanied with waist bending or twisting. Fifth, it is characterized by that the dance movement of ‘Daeguheungchum’ implies the dance movement of ipchum and gwonbeon. Sixth, the dance adopts costume and dance props reflecting openness and personal improvisation. Seventh, the jangdan (rhythm) includes neuringutgeori (slow gutgeori), deotbaegi, eotmori, jajinmori, and gutgeori jangdan. Five madangs are combined and are played in variations. The accompaniment of music should include playing the daegeum. Eighth, it is a representative dance repertory in Daegu area, and it has regionality, historicity, and locality. Throughout three generations, the dance has had 100 or so years of transmission and historical background.