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치매 어르신 무용 체험의 확장성

The extensibility of dance experience in the older people with dementia

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초록

This researcher regards contemporary dance as a system of accumulating the forms of life and focuses on the properties of dance experience within the contents and results of communication with dance. The purpose of this study is to examine the accessibility of dance based on the dance cases of the aged with dementia and the possibility of dance experience in the process of communication (sharing). The contents of this study are as written below: Dance experience is shared by the moments of expression to connect and combine the senses with the units that consist of our lives. In order to legitimize their being in the historic space of life, the aged with dementia, too, have to focus on the body (experiented body or historical body) as the vivid feeling that is remembered and reproduced. To the aged with dementia, dance is an experience to approach the system of life recognized by the body. Though it is weak to be read as a sold form, within the identical system, that is, shared dance experience, the aged with dementia capture and intend to continue the traits of different expressions. Therefore, dance experience should be suggested not as an experience intended for memorization to delay the loss of functions or maintain the current status but from obtaining the accessibility of dance as a medium of memory and system of communication. As the traits of dance experience dismantled, combined, and formed within the relationship of communication allow the aged with dementia to have special experience as unique life, the structure (system) of contemporary dance contributes to and cooperates with the extension of their world.

Abstract

This researcher regards contemporary dance as a system of accumulating the forms of life and focuses on the properties of dance experience within the contents and results of communication with dance. The purpose of this study is to examine the accessibility of dance based on the dance cases of the aged with dementia and the possibility of dance experience in the process of communication (sharing). The contents of this study are as written below: Dance experience is shared by the moments of expression to connect and combine the senses with the units that consist of our lives. In order to legitimize their being in the historic space of life, the aged with dementia, too, have to focus on the body (experiented body or historical body) as the vivid feeling that is remembered and reproduced. To the aged with dementia, dance is an experience to approach the system of life recognized by the body. Though it is weak to be read as a sold form, within the identical system, that is, shared dance experience, the aged with dementia capture and intend to continue the traits of different expressions. Therefore, dance experience should be suggested not as an experience intended for memorization to delay the loss of functions or maintain the current status but from obtaining the accessibility of dance as a medium of memory and system of communication. As the traits of dance experience dismantled, combined, and formed within the relationship of communication allow the aged with dementia to have special experience as unique life, the structure (system) of contemporary dance contributes to and cooperates with the extension of their world.

참고문헌 (8)

  1. 한혜리, "무용의 예술적 소통 체계와 문화 현상과의 관계", 한국무용교육학회지, 27(3), pp.129~144 (2016), 한국무용교육학회
  2. 한혜리, "동시대 무용의 사상적 맥락과 사회 관여성 연구", 한국무용교육학회지, 28(3), pp.81~99 (2017), 한국무용교육학회
  3. 2016 치매 어르신 문화예술교육 시범사업 실행 보고서, "황정옥", 한국문화예술교육진흥원, ~ (2017)
  4. Allen, P., "창의적 소통: 어르신을 위한 창의 예술활동 실행하기(communication through creativity : engaging older people in creative arts)", 제 46차 아르떼 해외전문가 초청 워크숍 (2017), 한국문화예술교육진흥원
  5. Guardini, R., "삶과 나이" (2016), 문학과 지성사
  6. Johnson, M., "몸의 의미" (2012), 동문선
  7. Shilling, C., "몸의 사회학" (2000), 나남출판
  8. Shusterman, R., "삶의 미학" (2017), 이학사

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