1950년대 문화정책과 영화 검열

Abstract

In the 1950s, various kinds of Culture Policies were used for planning the stabilization of control system by the media of culture. The basis of Culture Policies has many contradictories within the Control of Culture and Rearing of Culture, this shows the character that it was diverted into an active and positive way in 1955 as a cardinal point. It has been possible throughout various kinds of institutional drafting that were related to culture as well as structured readjustment of Culture Administrative Organization. The ambilaterality of Culture policies prescribes the basis, the direction and the functioning of censorship. The crux of the matter was to strengthen the ideology censorship as the core of anticommunism censorship and antiJapannism censorship. In addition, the customs censorship corresponded to the establishment of people's morality on the rise. The spirits development had circumstances that were needed to promote the postwar rebuilding work which was to provide further strengthening as well. According to Amendment of the National Government Organization Act, the film censorship had become legitimate at the moment that the education ministries managed film affairs. When movies were produced, the planning step, the production step, the approval step, and the screening step were regulated directly and indirectly. Particularly, the conflict between corrector and receiver who were concerning the matter of the official authority of the education ministries as various enforcement ordinances were taken effect excessively couldn't help becoming serious because there wasn't the film law on the censorship of the production step. Throughout the screening suspension of “PIAGOL”, it had been verified that the Film censorship of the education ministries didn't exercise its own hegemony directly in substance on the ideology censorship. In addition, this paved the way for the film censorship to have organized flexibility, thus causing the conflict dually between the state power and the film subject on censorship as well as the process of the film censorship. In brief, the film censorship after the war was the core institutional provision which regulated the historic existence way of an art film of the time comprehensively when the foreign film import restriction and home production film promotion were mingled.